Hollywood and Bollywood have come together to create a Los Angeles-India Film Council to attract more Indian moviemakers to L.A. — part of an ongoing effort to spice up relations between the world’s largest film markets.
The new cooperation agreement aims to make it easier for Bollywood producers to film in L.A., by facilitating permits, visas and tax breaks, and extends the U.S. anti-piracy crackdown to bootlegged Indian films in the U.S., the Motion Picture Association of America and Indian producer Bobby Bedi said Thursday.
“There’s always been some level of engagement between the two industries and in recent years, it’s increased massively,” Bedi said by phone from L.A. “We thought it’s a great idea to formalize a relationship between the two industries.”
Headlining that massive growth is Indian billionaire Anil Ambani’s decision to pump hundreds of millions of dollars into a production and distribution agreement with Steven Spielberg.
Indian production companies have also been taking on outsourced special effects, setting up sales offices in L.A. to channel work to dim computer-packed rooms in Mumbai. And Oscar-winner A.R. Rahman — who did the score for “Slumdog Millionaire” and “Couples Retreat,” a 2009 film starring Vince Vaughn — has become something of a crossover star.
The new agreement — announced Wednesday at Paramount Pictures in Los Angeles — also reflects the growing stature, and budgets, of Bollywood filmmakers.
Indian film budgets, though rising, remain small by Hollywood standards. But the expanding corporate presence in Bollywood means studios like Reliance BIG Entertainment and UTV Motion Pictures now have the ability to spend $10 million to $30 million on a picture — enough at least to film in L.A.
“In the past year, we have already seen Hindi movies such as ‘My Name is Khan’ and ‘Kites’ filmed in Los Angeles, and we enthusiastically welcome further Indian production in Los Angeles,” L.A. mayor Antonio Villaraigosa said in a statement released Thursday in India.
U.S. studios have tried with mixed success to crack the Indian film market. Made-for-India releases have been commercially disappointing, but the Indian releases of “Slumdog Millionaire,” ”Avatar,” and “2012,” were huge box-office successes, by Bollywood standards.
That interest has pushed anti-piracy to the top of the agenda in a nation where bootlegged DVDs are sold even in legitimate shops. The Motion Picture Association of America set up an office in Mumbai in February 2009, and in March 2010 it joined seven Indian companies to launch a joint anti-piracy alliance in Mumbai.
Indian producers are now getting that crackdown extended to their products in the U.S.
Bedi said with the new agreement, U.S. authorities are starting to “look seriously” at curbing counterfeit Indian DVDs in the U.S.
“The mayor of Los Angeles said he would set up a special task force and his antipiracy cell would work toward minimizing Indian piracy in the U.S.,” he said. “If we can get the protection, it would make our lives a whole lot better.”
Netflix Series “The Leopard” Spots Classic Italian Novel, Remakes It As A Sumptuous Period Drama
"The Leopard," a new Netflix series, takes the classic Italian novel by Giuseppe Tomasi di Lampedusa and transforms it into a sumptuous period piece showing the struggles of the aristocracy in 19th-century Sicily, during tumultuous social upheavals as their way of life is crumbling around them.
Tom Shankland, who directs four of the eight episodes, had the courage to attempt his own version of what is one of the most popular films in Italian history. The 1963 movie "The Leopard," directed by Luchino Visconti, starring Burt Lancaster, Alain Delon and Claudia Cardinale, won the Palme d'Or in Cannes.
One Italian critic said that it would be the equivalent of a director in the United States taking "Gone with the Wind" and turning it into a series, but Shankland wasn't the least bit intimidated.
He said that he didn't think of anything other than his own passion for the project, which grew out of his love of the book. His father was a university professor of Italian literature in England, and as a child, he loved the book and traveling to Sicily with his family.
The book tells the story of Don Fabrizio Corbera, the Prince of Salina, a tall, handsome, wealthy aristocrat who owns palaces and land across Sicily.
His comfortable world is shaken with the invasion of Sicily in 1860 by Giuseppe Garibaldi, who was to overthrow the Bourbon king in Naples and bring about the Unification of Italy.
The prince's family leads an opulent life in their magnificent palaces with servants and peasants kowtowing to their every need. They spend their time at opulent banquets and lavish balls with their fellow aristocrats.
Shankland has made the series into a visual feast with tables heaped with food, elaborate gardens and sensuous costumes.... Read More