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    “King Richard,” “tick, tick…Boom!” Take Top Feature Honors At ACE Eddie Awards

    By SHOOTUpdated:No Comments2286 Views
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    Demi Singleton as Serena Williams (l-r), Will Smith as Richard Williams and Saniyya Sidney as Venus Williams in a scene from "King Richard" (photo by Chiabella James/courtesy of Warner Bros. Pictures)

    "Succession," "Hacks," "Mare of Easttown," "Kevin Can F**k Himself" among television winners

    LOS ANGELES --

    For her work on King Richard, Pamela Martin, ACE won the American Cinema Editors (ACE) Eddie Award for best edited dramatic feature film. Taking the comedy feature honor were Myron Kerstein, ACE and Andrew Weisblum, ACE for tick, tick…Boom!  These and other awards spanning both features and television were presented during the 72nd annual Eddie Awards ceremony in Los Angeles on Saturday (3/5).

    Jeremy Milton, ACE won best editor of an animated feature for Encanto. Topping the outstanding theatrical feature documentary category was Joshua L. Pearson for Summer of Soul…Or When the Revolution Could Not Be Televised. Earning the same distinction for a nontheatrial documentary was Jabez Olssen for “Episode 3” of The Beatles: Get Back.

    Among the other marquee TV winners were: Kevin Eluto, ACE whose work on the “All the Bells Say” episode of Succession won for best edited drama series; Susan Vaill, ACE for best edited single-camera comedy series for the “1.69 Million” episode of Hacks; Daniel Schalk, ACE and Joseph Fulton for best edited multi-camera comedy series on the strength of the “Live Free or Die” episode of Kevin Can F**k Himself; and Amy E. Duddleston, ACE who toppped the limited series catgory for the “Illusions” installment of Mare of Easttown.

    Beyond the winners in competitive categories, Michelle Satter accepted the prestigious ACE Golden Eddie Award–recognizing an artist or company for distinguished achievement in film–on behalf of The Sundance Institute; two-time Oscar® winner and 2021 ACE Eddie nominee Chloe Zhao presented the honor.  Film editors Lillian E. Benson, ACE and Richard Chew, ACE received Career Achievement Awards for their outstanding contributions to film editing with long time collaborators Debbie Allen presenting to Benson, and Emilio Estevez presenting to Chew.

    Here’s a full rundowwn of winners for the 72nd Annual ACE Eddie Awards:  
     
    BEST EDITED FEATURE FILM (DRAMATIC):
    King Richard
    Pamela Martin, ACE
     
    BEST EDITED FEATURE FILM (COMEDY):
    tick, tick…BOOM!
    Myron Kerstein, ACE, Andrew Weisblum, ACE
     
    BEST EDITED ANIMATED FEATURE FILM:
    Encanto
    Jeremy Milton, ACE
     
    BEST EDITED DOCUMENTARY (FEATURE):
    Summer of Soul……Or, When the Revolution Could Not Be Televised
    Joshua L. Pearson
     
    BEST EDITED DOCUMENTARY (NON-THEATRICAL):
    The Beatles: Get Back “Episode 3”
    Jabez Olssen
     
    BEST EDITED MULTI-CAMERA COMEDY SERIES:
    Kevin Can F**k Himself “Live Free or Die”
    Daniel Schalk, ACE and  Joseph Fulton
     
    BEST EDITED SINGLE-CAMERA COMEDY SERIES:
    Hacks “1.69 Million” 
    Susan Vaill, ACE
     
    BEST EDITED DRAMA SERIES: 
    Succession “All the Bells Say”
    Ken Eluto, ACE
     
    BEST EDITED MOTION PICTURE (NON-THEATRICAL):
    Oslo 
    Jay Rabinowitz, ACE
     
    BEST EDITED LIMITED SERIES:
    Mare of Easttown “Illusions”
    Amy E. Duddleston, ACE
     
    BEST EDITED NON-SCRIPTED SERIES:
    Formula 1: Drive to Survive “Man on Fire”
    Dan Ablett, Kevin Austin, Otto Burnham, Shane McCormack, Graham Taylor
     
    BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL:
    Bo Burnham: Inside
    Bo Burnham
     
    BEST EDITED ANIMATION (NON-THEATRICAL):
    Bob’s Burgers “ Vampire Disco Death Dance”
    Jeremy Reuben
     
    ANNE V. COATES AWARD FOR STUDENT EDITING:
    Guanqing Lin – American Film Institute

    Category:News
    Tags:ACE Eddie AwardsKing RichardSuccessionticktick...Boom!



    Is “Glicked” The New “Barbenheimer”? “Wicked” and “Gladiator II” Hit Theater Screens

    Thursday, November 21, 2024

    "Barbenheimer" was a phenomenon impossible to manufacture. But, more than a year later, that hasn't stopped people from trying to make "Glicked" — or even "Babyratu" — happen.

    The counterprogramming of "Barbie" and "Oppenheimer" in July 2023 hit a nerve culturally and had the receipts to back it up. Unlike so many things that begin as memes, it transcended its online beginnings. Instead of an either-or, the two movies ultimately complemented and boosted one another at the box office.

    And ever since, moviegoers, marketers and meme makers have been trying to recreate that moment, searching the movie release schedule for odd mashups and sending candidates off into the social media void. Most attempts have fizzled (sorry, "Saw Patrol" ).

    This weekend is perhaps the closest approximation yet as the Broadway musical adaptation "Wicked" opens Friday against the chest-thumping sword-and-sandals epic "Gladiator II." Two big studio releases (Universal and Paramount), with one-name titles, opposite tones and aesthetics and big blockbuster energy — it was already halfway there before the name game began: "Wickiator," "Wadiator," "Gladwick" and even the eyebrow raising "Gladicked" have all been suggested.

    "'Glicked' rolls off the tongue a little bit more," actor Fred Hechinger said at the New York screening of "Gladiator II" this week. "I think we should all band around 'Glicked.' It gets too confusing if you have four or five different names for it."

    As with "Barbenheimer," as reductive as it might seem, "Glicked" also has the male/female divide that make the fan art extra silly. One is pink and bright and awash in sparkles, tulle, Broadway bangers and brand tie-ins; The other is all sweat and sand, blood and bulging... Read More

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