The Visual Effects Society (VES) has named multiple Academy Award®-winning visual effects pioneer Ken Ralston as the recipient of the VES Lifetime Achievement Award in recognition of his enormous contributions to filmed entertainment. The award will be presented at the 15th Annual VES Awards on February 7, 2017 at the Beverly Hilton Hotel.
The VES Lifetime Achievement Award, bestowed by the VES Board of Directors, recognizes an outstanding body of work that has significantly contributed to the art and/or science of the visual effects industry. VES will honor Ralston for his intuitive vision and unparalleled mastery of visual effects. Ralston’s creative vision and fierce technical expertise have earned him an impressive five Academy Awards. His groundbreaking work has built a rich legacy, one that has profoundly impacted future generations of artists and innovators.
“Ken Ralston is an amazing force and a defining voice of the visual effects community,” said Mike Chambers, VES Board chair. “His creativity, leadership, and ability to use technologies to enhance the art of storytelling have brought us some of the most memorable films of all time. His pioneering work has truly raised the bar and helped redefine entertainment and our industry on a global level.”
Ralston is sr. VFX supervisor and creative head at the Academy Award-winning visual effects studio, Sony Pictures Imageworks. He has earned five Academy Awards including a Special Achievement Oscar for the visual effects in the 1984 phenomenon, Star Wars: Episode VI – The Return of the Jedi. In addition to this, he received Academy Awards for Best Visual Effects for his work as VFX supervisor on Forrest Gump (which was also awarded the Oscar for Best Picture), Death Becomes Her, the revolutionary Who Framed Roger Rabbit and Cocoon. Ralston followed his Academy Award-nominated work as senior visual effects supervisor on Disney’s Alice in Wonderland (3D), with Columbia Picture’s Men in Black III and most recently Disney’s Alice Through the Looking Glass.
Many groundbreaking projects at Sony Pictures Imageworks have benefited from Ralston’s artistic acumen including his many collaborations with Academy Award-winning director Robert Zemeckis on the epic Beowulf (3D), The Polar Express (3D) and Cast Away. Prior to joining Imageworks, Ralston placed his artistic and technical stamp on the films at Industrial Light & Magic. Breaking technological ground, Ralston played a pivotal role in advancing that company’s renown.
Ralston’s other notable film credits include visual effects supervisor on The Rocketeer, Jumanji, Star Trek IV: The Voyage Home, Star Trek III: The Search for Spock, Star Trek II: The Wrath of Khan, Dragonslayer, for which he was also nominated for an Oscar, and all three films from the Back to the Future trilogy, earning an Academy Award nomination for best visual effects on Back to the Future II.
Ralston’s career began at the seminal commercial animation and visual effects company, Cascade Pictures in Hollywood, where he worked on more than 150 memorable advertising campaigns in the early 1970s. He built sets, sculpted models, animated puppets, created optical effects and stop motion animation for such iconic commercial characters as Poppin’ Fresh, the Pillsbury Dough Boy, and The Jolly Green Giant.
Previous winners of the VES Lifetime Achievement Award have included James Cameron, Steven Spielberg, Ray Harryhausen, George Lucas, Robert Zemeckis, John Dykstra, Frank Marshall & Kathleen Kennedy and Sir Ridley Scott.
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More