AMV BBDO has promoted Kelly Knight to serve as its first chief diversity and HR officer. She will work with senior leadership at the agency to ramp up its efforts building a culture which is inclusive, celebrates and recognizes diversity. Her responsibilities also include ensuring that AMV’s services and strategy are aligned to the agency’s cultural goals. She reports to Sarah Douglas, CEO.
Knight has spent her career working in human resources and was appointed by AMV as HR director in 2006. As well as championing HR initiatives at AMV, Knight is active in industry-wide campaigns to make careers in advertising more accessible to people who are under-represented.
She was part of the IPA’s Creative Skillset Working Party, which developed the first advertising apprenticeship in 2012, and is now a member of the All Party Parliamentary Group on Apprenticeships. Knight also sits on the IPA’s Creative Pioneers Board and is a member of the association’s Future of Talent Strategy Group.
Earlier this year she was included on the inaugural IPA iList, which recognizes individuals for their game-changing dedication to improving the diversity and inclusivity of the advertising industry.
Knight said, “Diversity, equality and inclusion is in my DNA. From the moment I started at AMV I worked with the IPA to address the lack of diversity in our industry. I’m delighted that this is being formally recognized and I will strive to continue to work with my agency and the wider industry in the pursuit of equality.”
Douglas said, “Kelly is the consummate human resources professional. Along with that, she has a vision for how our industry in general, and AMV in particular, can build a more diverse workforce and a culture that is truly inclusive, as well as the skills to make her vision a reality. This promotion is recognition of her achievements as well as signifying the continuing commitment AMV has to building the best possible workplace.”
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More