The Board of Governors of the American Society of Cinematographers (ASC) has elected Kees Van Oostrum to serve as president of the organization. This is Oostrum’s first term, which will run for one year, beginning immediately. The ASC Board also selected its slate of officers. They include: Bill Bennett, Dean Cundey and Lowell Peterson as vice presidents; Levi Isaacs as treasurer; Fred Goodich as secretary; and Roberto Schaefer as sergeant-at-arms.
“It is our task as an organization to educate the industry on the value of the cinematographer as authors of the images, to be involved in advancing imaging technology, and most importantly, to promote our artistry,” said Van Oostrum. “I’m honored to be selected along with these officers to lead my peers and colleagues into new visual frontiers, and continue the educational mission of the organization.”
The 2016-2017 ASC Board members who voted for the new officers are: John Bailey, Curtis Clark, Richard Crudo, Fred Elmes, Michael Goi, Victor J. Kemper, Stephen Lighthill, Daryn Okada, Woody Omens, Robert Primes, Cynthia Pusheck, Owen Roizman and John Simmons. Alternate Board Members include: Mandy Walker, Karl-Walter Lindenlaub, and Oliver Bokelberg.
Oostrum previously served as vice president and has fulfilled other roles over the years on the ASC Board. He is also the chairman and originator of the ASC Masterclasses, which take place five times a year due to popular demand and sell-out enrollment. The Masterclass is one of several educational initiatives of the ASC. Inaugurated in 2013, the one-week course is taught by award-winning cinematographers. It is designed for cinematographers with an intermediate-to-advanced skill set, and incorporates practical, hands-on demonstrations of lighting and camera techniques with essential instruction in current workflow practices.
The ASC supports many initiatives to help the next generation of filmmakers, as well as ongoing educational programs that highlight the important role of the cinematographer, especially in today’s digital workflows and democratization of tools. In addition to the Masterclass, other efforts of the organization include its Student Heritage Awards, Breakfast Club seminars, panel discussions by the Education and Outreach committee, the Friends of the ASC membership, and the ongoing committee collaborations with other industry participants vital to the image-making process. Perhaps most notable is the ASC Technology Committee, which has proven unique in its ability to shape the standards and practices of cinematography for digital workflows.
“The Masterclasses have been very successful and we hope to expand them to an international level,” adds Van Oostrum. “With partner associations worldwide and the support of our community of associate members, there is great promise in the immediate future to develop these and new programs that will help promote the importance of authorship in the creation of artful content.”
Van Oostrum has earned two Primetime Emmy nominations for his work on the telefilms Miss Rose White and Return to Lonesome Dove. His peers chose the latter for a 1994 ASC Outstanding Achievement Award. Additional ASC Award nominations for his television credits came for The Burden of Proof, Medusa’s Child, and Spartacus. He also shot the Emmy-winning documentary The Last Chance. Currently, he serves as director of photography on The Fosters which airs on Freeform.
A native of Amsterdam, Van Oostrum studied at the Dutch Film Academy with an emphasis on both cinematography and directing, and went on to earn a scholarship sponsored by the Dutch government which enabled him to enroll the American Film Institute (AFI). Van Oostrum broke into the industry shooting television documentaries for several years. He has subsequently compiled a wide range of some 80-plus credits, including movies for television and the cinema, such as Gettysburg and Gods and Generals, and occasional documentaries.
ASC was founded in 1919. There are 340-plus active members today who have national roots in some 20 countries. There are also 150 associate members from ancillary segments of the industry.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More