Video production studio CVLT, with bases of operation in NY and L.A., has brought Katya Pavlova on board as head of postproduction. Pavlova joins the team after six years at The Mill where she produced highly acclaimed projects including David Bowie’s “Life on Mars” music video remake–directed by renowned photographer Mick Rock–as well as Steven Klein’s augmented reality experience for W Magazine’s cover, featuring an interactive 3D digital portrait of Katy Perry.
Pavlova will focus on growing CVLT’s post operation and developing new partnerships. She comes to the studio after its recent growth and work with such brands as Lexus, Peloton and Louis Vuitton.
Her work at The Mill had her producing for high-profile directors and brands–the latter including Netflix, Facebook, Ralph Lauren, Jimmy Choo and Vogue.
Marlee Matlin gives an unflinchingly honest account of her experiences as a deaf actor in the funny and revelatory documentary "Marlee Matlin: Not Alone Anymore." The film kicked off the 41st Sundance Film Festival Thursday, as the first major premiere in the Eccles Theater in Park City, Utah.
After the screening audiences in the theater, some wiping tears away, greeted Matlin with a standing ovation when she took the stage.
The film delves into all aspects of her life, personal and professional: Her childhood and how her family handled learning she had become deaf at 18 months; her experience winning the best actress Oscar for her first movie role in "Children of a Lesser God" and her allegedly abusive romantic relationship with her co-star, the late William Hurt, which he denied; and her experiences in an industry not equipped to accommodate deaf actors.
The film was directed by Shoshanna Stern, who also is deaf. Matlin specifically requested that Stern take on the project when American Masters approached her about doing a documentary.
Matlin has written about her experiences before, including her volatile relationship with Hurt and drugs, in a memoir, "I'll Scream Later." But before the #MeToo movement, she felt her allegations were largely dismissed or glossed over.
Interviews from the book's press tour show journalists were more interested in the "amazing sex" she said she had with Hurt than the stories of the alleged physical and verbal abuse. One interviewer asked her why she waited "so long" to come forward with the claims.
The documentary isn't just a portrait of Matlin, but a broader look at deaf culture and how Matlin was thrust into the spotlight at a young age as a de facto spokesperson for all deaf... Read More
