JVC Professional Video, a division of JVCKENWOOD USA Corporation, will showcase its new 4KCAM product line next week for the first time at 2015 Cine Gear Expo Los Angeles (Booth S222), which runs June 5-6. Led by the flagship GY-LS300 Super 35mm camera, which accepts a variety of interchangeable lenses, the new cameras support a variety of workflows with 4K imaging, efficient encoding, and dual SDHC/SDXC card slots.
Designed for cinematographers, documentarians, and broadcast production departments, the GY-LS300 features JVC’s 4K Super 35 CMOS sensor and an industry standard Micro Four Thirds (MFT) lens mount. It records 4K Ultra HD, Full HD with 4:2:2 sampling, SD, and Web-friendly proxy formats. With JVC’s unique Variable Scan Mapping technology, the camera electronically adapts the active area of the Super 35 sensor to provide native support of PL and EF mount lenses, among many others. As a result, using third-party lens adapters, the camera provides assorted lens options without compromising image quality or lens characteristics.
Through Sept. 30, 2015, participating authorized JVC Professional Video U.S. dealers are offering a free Rokinon prime lens or Metabones lens adapter with the purchase of a new GY-LS300 camcorder.
Both the GY-LS300 and GY-HM200 include a built-in HD streaming engine with Wi-Fi and 4G LTE connectivity that allows live HD transmission directly to hardware decoders, the Wowza Streaming Engine, and the ProHD Broadcaster server powered by Zixi. With support for various streaming protocols including RTMP, the cameras can also stream directly to Ustream and other content delivery networks (CDN), as well as popular websites.
The GY-HM200 is JVC’s most affordable streaming camcorder and is ideal for corporate video or ENG applications. It features a 1/2.3-inch BSI CMOS chip and built-in 12x zoom lens (24x dynamic zoom in HD mode) with optical image stabilizer to deliver 4K Ultra HD, 4:2:2 Full HD (50Mbps), and SD imagery. The GY-HM200 and the GY-LS300 also include dual XLR audio inputs that are mic/line switchable with built-in phantom power, an integrated handle with hot shoe and dedicated microphone mount, and SDI and HDMI video outputs.
Compact but powerful, the GY-HM170 records 4K Ultra HD as H.264 files, and can record HD and SD footage in a variety of resolutions and frame rates. Other professional features include an integrated 12x optical zoom lens with two ND filters, built-in stereo microphone and 3.5mm audio input, and live 4K UHD output through a built-in HDMI connector. All 4KCAM cameras include a 3.5-inch LCD display and 1.56 megapixel color viewfinder, both with smart focus assist functions.
From Restoring To Hopefully Preserving Multi-Camera Categories At The Emmys
When Gary Baum, ASC won his fourth career Emmy Award earlier this month, it was especially gratifying in that the honor came in a category--Outstanding Cinematography for a Multi-Camera Half-Hour Series--that had been restored thanks in part to a grass-roots initiative among cinematographers to drum up entries. Last year the category fell by the wayside when not enough multi-camera entries materialized.
In his acceptance speech, Baum appealed to the Television Academy to keep multi-camera categories alive. He later noted to SHOOT that editors also got their multi-camera recognition back in the Emmy competition this year. Baum hopes that after resurrecting multi-camera categories in 2024, such recognition will be preserved for 2025 and beyond.
A major factor in the decline of multi-camera submissions in 2023 was the move of certain children’s and family programming from the primetime Emmy competition to the National Academy of Television Arts and Sciences’ (NATAS) Emmy ceremony. For DPs this meant that multi-camera programs last year were reduced to vying for just one primetime nomination slot in the more general Outstanding Cinematography for a Series (Half-Hour) category. It turned out that this single slot was filled in ‘23 by a Baum-lensed episode of How I Met Your Father (Hulu).
Fast forward to this year’s competition and Baum won for another installment of How I Met Your Father--”Okay Fine, It’s A Hurricane,” which turned out to be the series finale. Two of Baum’s Emmy wins over the years have been for How I Met Your Father, and there’s a certain symmetry to them. His initial win for How I Met Your Father was for the pilot in 2022. So he won Emmys for the very first and last... Read More