By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --Only in the modern era of superhero films could a $96 million opening weekend be considered anything less than impressive. But that's the situation Warner Bros. and DC's "Justice League" find themselves in.
The big budget superhero mashup came in well under expectations, which had pegged it for a $110 million launch in North American theaters. If studio estimates hold, it will also have the dubious distinction of being the lowest-opening film in the DC Extended Universe.
It has been a rollercoaster for the DC Universe since "Man of Steel" kicked off the comic book franchise in 2013, with films battling high expectations, critical reviews and the impossible standard of competing against the Marvel Cinematic Universe. "Batman v Superman: Dawn of Justice" may have been a critical dud in early 2016, but it still opened to $166 million and went on to net $873.3 million worldwide by the end of its run.
"Justice League" comes on the heels of the widely well-received "Wonder Woman," the first DC Extended Universe film to score with both critics and audiences. It reunites Ben Affleck's Batman and Gal Gadot's Wonder Woman to fight a new threat facing earth while introducing new characters like Ezra Miller's The Flash, Jason Momoa's Aquaman and Ray Fisher's Cyborg. "Justice League" didn't impress critics, but neither did "Batman v Superman" or "Suicide Squad," which still managed to earn $133.7 million out of the gates.
Warner Bros. is remaining optimistic about "Justice League's" prospects, even with the lower than expected launch against a production budget that's reported to be in the $250 million to $300 million range, which doesn't include marketing expenses.
"I did have a higher expectation for the three days," said Jeff Goldstein, who heads up domestic distribution for Warner Bros. "(But) this is a big vacation week, and we have an opportunity to get a big audience to see us in a different pattern."
Goldstein said he is also encouraged by a few factors, including the overall B+ CinemaScore, the fact that women, who accounted for 42 percent of the audience, gave it an A- overall, and that Saturday earnings were up from Friday's.
"Clearly there is interest in the movie," Goldstein said.
"Justice League" pulled most of its weight abroad, where it launched to $185.5 million from 65 markets, boosting the worldwide debut to $281.5 million.
One film that did have a heroic showing this weekend is "Wonder," an adaptation of R.J. Palacio's novel about a child with a facial deformity that stars Julia Roberts, Owen Wilson and Jacob Tremblay. The family-friendly drama opened in second place with $27.1 million against a $20 million production budget and could be on its way to becoming a sleeper hit. Lionsgate distributed the film, which was financed and produced by Participant Media.
"Any time you have a big superhero movie opening, a movie like 'Wonder' could be overshadowed. But it's one of the brightest spots of the weekend," said Paul Dergarabedian, a senior media analyst for comScore. "This could be a $100 million movie as people get the word out."
Disney and Marvel's "Thor: Ragnarok" fell to third place in weekend three with $21.8 million, bringing its North American total to $247.4 million. "Daddy's Home 2" took fourth with $14.8 million and "Murder on the Orient Express" landed in fifth with $13.8 million. Both are in their second weekend in theaters.
Opening outside of the top 10, the faith-based animated film "The Star," from Sony's AFFIRM label, took sixth place with $10 million. And both "Lady Bird" and "Three Billboards Outside Ebbing, Missouri" continue to thrive in their expansions.
The Thanksgiving holiday should not be discounted either in its potential to boost a film's earnings, and the only, albeit formidable, competition will be from Disney and Pixar's latest "Coco."
"Thanksgiving is the perfect second weekend for any movie," Dergarabedian said. "Including 'Justice League.' "
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."Justice League," $96 million ($185.5 million international).
2."Wonder," $27.1 million ($310,000 international).
3."Thor: Ragnarok," $21.8 million ($24.1 million international).
4."Daddy's Home 2," $14.8 million.
5."Murder on the Orient Express," $13.8 million ($20.7 million international).
6."The Star," $10 million.
7."A Bad Moms Christmas," $6.9 million ($5.1 million international).
8."Lady Bird,' $2.5 million.
9."Three Billboards Outside Ebbing, Missouri," $1.1 million.
10."Jigsaw," $1.1 million ($4.1 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Justice League," $185.5 million.
2. "Thor: Ragnarok," $24.1 million,
3. "Murder on the Orient Express," $20.7 million.
4. "Paddington 2," $9.2 million.
5. "The Golden Monk," $8.5 million.
6. "Happy Death Day," $8 million.
7. "A Bad Moms Christmas," $5.1 million.
8. "Suck Me Shapespeer 3," $4.3 million.
9. "Jigsaw," $4.1 million.
10. "Coco," $3.6 million.
Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More