By Paul Elias & Mae Anderson
SAN FRANCISCO (AP) --A U.S. Department of Justice lawsuit could delay the rollout of California's toughest-in-the country net neutrality law, which is set to take effect Jan. 1.
Advocates hope California's new law to stop internet providers from favoring certain content or websites will push Congress to enact national rules or encourage other states to create their own.
But legal experts say it's possible a judge will put the law on hold while the litigation plays out. If that happens, the delay could be significant because the issue appears destined for the U.S. Supreme Court.
California Gov. Jerry Brown signed a law Sunday that prohibits internet service providers from blocking or slowing data based on content or from favoring websites or video streams from companies that pay extra. It also bans "zero rating," in which internet providers don't count certain content against a monthly data cap — generally video streams produced by the company's own subsidiaries and partners.
The U.S. Department of Justice sued immediately, arguing that the federal government has exclusive authority to regulate the internet.
Stanford University law professor Barbara van Schewick said the law adopts the same nationwide rules the Federal Communications Commission repealed in June. The constitutionality of California's law — and whether other states can adopt their own net neutrality rules — depends heavily on the outcome of a pending case in a Washington, D.C., federal appeals court, van Schewick said.
When the FCC repeated the Obama-era rules last year that prevented companies from exercising more control over what people watch and see on the internet, it also barred states from crafting their own rules like the California law by Democratic Sen. Scott Wiener.
Net neutrality advocates worry that without rules, internet providers could create fast lanes and slow lanes that favor their own sites and apps or make it harder for consumers to see content from competitors.
In response, the California attorney general and 21 other state attorneys general filed a lawsuit in January in the D.C. Circuit Court of Appeals seeking to invalidate the FCC rollback.
The appeals court has yet to rule and van Schewick and other legal analysts expect an appeal to the U.S. Supreme Court, which will likely guide the outcome of the latest lawsuit.
The DOJ and California are wrangling over the legal notion of "pre-emption" and whether the FCC is the sole regulator of net neutrality.
Marc Martin, a former FCC staffer who is now chairman of communications practice at the law firm Perkins Coie, said typical "pre-emption" lawsuits filed by the federal government seek to bar states from ignoring properly enacted federal regulations such as the Voting Rights Act.
But with net neutrality, Martin said the FCC insists it remains the sole regulatory authority despite its deregulatory actions.
Martin said it's a rare pre-emption argument, but it's not novel. A federal agency tasked with setting airline routes and fares was abolished in the 1970s, but states are still not permitted to adopt their own airline rules.
Nonetheless, Martin and other legal analysts say California also has a strong legal argument.
"California could argue net neutrality laws are consumer protection laws," he said.
"It is well established that states have the authority to protect the health, welfare and safety of their own residents, that's why they have their own police forces, national guard, state attorney general and their own consumer protection laws, Martin said. "California could argue net neutrality laws are consumer protection laws."
Regardless of the eventual outcome, Martin also believes a federal judge in California will stop the state's law from taking effect while the lawsuit remains unresolved.
Boston College of Law professor Dan Lyons said federal lawmakers are key to settling the argument between the FCC and California and other states seeking to set up their own rules.
"The only way the issue will go away completely is if Congress passes a statute over net neutrality," Lyons said. "Congress has not made clear what role if any the FCC should have regulating the internet."
Lyons wasn't optimistic that was occurring any time soon.
"The only lasting settlement would be bipartisan congressional legislation," he said. "I don't see it happening in the near future."
Anderson contributed from New York. Associated Press writer Jonathan J. Cooper in Sacramento, California, also contributed to this report.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More