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    Joseph Kahn-Directed “Bodied” Finds Worthy Lead

    By SHOOTUpdated:No Comments3578 Views
    This image taken from video shows Calum Worthy during an interview about his film "Bodied," in New York. The Joseph Kahn-directed "Bodied" is about a University of California graduate student, played by Worthy, who becomes entrenched in battle rap after using the genre as his thesis. (AP Photo)

    By Gary Gerard Hamilton

    NEW YORK (AP) --

    On the surface, the new film "Bodied" may not seem like the right fit for an actor known for the Disney Channel's "Austin and Ally." But for Calum Worthy, it couldn't be more perfect.

    "That's one of the things coming out of a Disney Channel-type show or I think any TV show, you get kind of typecast as the character that you're playing on the show," said Worthy. "I really wanted to make really strategic decisions because I want to act until I'm 80, and I know that the only way to have longevity is to work with great storytellers."

    The Joseph Kahn-directed "Bodied " is about a University of California graduate student, played by Worthy, who becomes entrenched in battle rap after using the genre as his thesis. "His participation ends up causing a lot of controversy at Berkeley which is a school he goes to but he continues to do it anyway," said Worthy.

    Battle rap is a mostly underground sub-genre of hip-hop, consisting of rappers going head to head and reciting lyrics_both written and freestyled_directed at their opponent, similar to a lyrical boxing match.

    One of the most famous battle rap movies is Eminem's "8 Mile," and Slim Shady also serves as producer on this film. Khan has directed many of Eminem's music videos throughout the years.

    "I've not met him, but you see his influence throughout this movie," Worthy said. "The fact that he likes this movie and he believes it's a movie that people need to see means a lot."

    The world of battle rap is a far cry from the world of political correctness, with profanity and obscene insults often thrown at the opponent, in the name of sport and with the hope of winning.

    "There's no censorship when two battlers go up against each other and everything's on the table and anything that you can think of they're willing to say to each other," said Worthy. He said his character is interested in the art form because "it also sparks a lot of conversation around freedom of speech and cultural appropriation which are the two big themes in this movie."

    Worthy had to stretch himself to play the role, including using the 'n-word,' which he said he's never used before: "Saying that word was the hardest part. And it was actually quite emotional because my whole life, I've been raised_and I know not to say it_and I never had said it until we actually filmed," he said. "I was very conscious of what that word means and that people like me have used it for hate for so many years."

    And while many fans and participants love the underground feel of battle rap, the 27-year-old hopes that some of the principles of the art form can become mainstream.

    "The interesting thing with battle rap is you have to listen in order to win. Right now, there's a lot of conversations happening in this very divided political climate. A lot of times we're in these echo chambers. We're not necessarily listening to one another," he said.

    "Bodied" is in currently in select theaters, and will be available on YouTube Premium on Nov. 28.

    Category:News
    Tags:BodiedCalum WorthyJoseph Kahn



    Does “Hundreds of Beavers” Reflect A New Path Forward In Cinema?

    Monday, November 25, 2024

    Hard as it may be to believe, changing the future of cinema was not on Mike Cheslik's mind when he was making "Hundreds of Beavers." Cheslik was in the Northwoods of Wisconsin with a crew of four, sometimes six, standing in snow and making his friend, Ryland Tews, fall down funny.

    "When we were shooting, I kept thinking: It would be so stupid if this got mythologized," says Cheslik.

    And yet, "Hundreds of Beavers" has accrued the stuff of, if not quite myth, then certainly lo-fi legend. Cheslik's film, made for just $150,000 and self-distributed in theaters, has managed to gnaw its way into a movie culture largely dominated by big-budget sequels.

    "Hundreds of Beavers" is a wordless black-and-white bonanza of slapstick antics about a stranded 19th century applejack salesman (Tews) at war with a bevy of beavers, all of whom are played by actors in mascot costumes.

    No one would call "Hundreds of Beavers" expensive looking, but it's far more inventive than much of what Hollywood produces. With some 1,500 effects shots Cheslik slaved over on his home computer, he crafted something like the human version of Donald Duck's snowball fight, and a low-budget heir to the waning tradition of Buster Keaton and "Naked Gun."

    At a time when independent filmmaking is more challenged than ever, "Hundreds of Beavers" has, maybe, suggested a new path forward, albeit a particularly beaver-festooned path.

    After no major distributor stepped forward, the filmmakers opted to launch the movie themselves, beginning with carnivalesque roadshow screenings. Since opening in January, "Hundreds of Beavers" has played in at least one theater every week of the year, though never more than 33 at once. (Blockbusters typically play in around 4,000 locations.)... Read More

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