By John Carucci
NEW YORK (AP) --Jessica Williams says it's a great time to be an actress of color, and applauds Netflix for leading the way in promoting diversity.
Williams, who cut her teeth as a correspondent on "The Daily Show," takes on her first starring role in the streaming network's original film, "The Incredible Jessica James ."
The actress feels Netflix helped shape stories about people of color, citing original programming like "Master of None" and "Orange is the New Black" that are able to "showcase people of color in an amazing way."
While inclusion continues to improve, especially on Netflix, Williams says the struggle for racial equality is far from over.
"I think it's a difficult time in some ways to be a person of color, and I think the same for actors of color, but I also think it's a great a time. Because I think now … there's so much more room, I think, for us to be seen, and there's room for us to create our own stories," Williams said.
Williams feels great pride that she's part of movement toward greater diversity on screen, calling it something that makes her heart warm and sing. She said she remains mindful of the actresses who paved the way.
"It's like so many black actresses that came before me and my generation. They came before and they did not necessarily have this opportunity that I feel like I have now, and so I'm really grateful for that, and I really do think it's a really great time to be an actress that is black, in a way," she said.
But that doesn't make shifting gears from a comedy news show to a feature film an easy choice. Williams certainly felt some trepidation with the move.
"I was really nervous because this movie does have comedy in it. It also has a lot of heart, and some sweet moments. So I was worried whether I would be able to portray that or not. But I had a lot of fun doing it, and I found out that I could," she said.
Written and directed by Jim Strouse — who previously directed Williams in his 2015 film, "People Places Things" — the story was written with Williams in mind. Her desire was to correctly depict the "life of a modern, young black woman," and took it a step further by also taking on the role as an executive producer.
"Just in case I had things to say creatively," Williams said.
Strouse called Williams a comedy ninja and the right actress to portray the ever-changing nature of romantic relationships.
"I remember when a relationship goes astray or whatever, you break up, you don't talk and in like maybe months down the road you have coffee," he said. "Now it's like, you ghost and maybe a couple months down the road you start liking each other's photos again. It's a weird time."
He called the dynamic interesting, then with a knowing smile said, "I don't know if it's healthy."
As for her previous gig, Williams has the distinction of being the youngest correspondent hired for "The Daily Show." Now she's hoping to join the list of the show's alumni who have moved on to bigger and better things.
"To be mentioned among people like Samantha Bee or Hassan Minaj and Steve Carrell and Steve Colbert is insane," she said. "It's, it's very surreal and I think — I packed up everything to move and be on the 'Daily Show' and I was nervous because I was 22. I was, umm, I had a lot of big shoes to fill working with Jon Stewart. I felt like in the beginning I had a lot to prove, and it's really an honor to be among those people."
Jennifer Kent On Why Her Feature Directing Debut, “The Babadook,” Continues To Haunt Us
"The Babadook," when it was released 10 years ago, didn't seem to portend a cultural sensation.
It was the first film by a little-known Australian filmmaker, Jennifer Kent. It had that strange name. On opening weekend, it played in two theaters.
But with time, the long shadows of "The Babadook" continued to envelop moviegoers. Its rerelease this weekend in theaters, a decade later, is less of a reminder of a sleeper 2014 indie hit than it is a chance to revisit a horror milestone that continues to cast a dark spell.
Not many small-budget, first-feature films can be fairly said to have shifted cinema but Kent's directorial debut may be one of them. It was at the nexus of that much-debated term "elevated horror." But regardless of that label, it helped kicked off a wave of challenging, filmmaker-driven genre movies like "It Follows," "Get Out" and "Hereditary."
Kent, 55, has watched all of this — and those many "Babadook" memes — unfold over the years with a mix of elation and confusion. Her film was inspired in part by the death of her father, and its horror elements likewise arise out of the suppression of emotions. A single mother (Essie Davis) is struggling with raising her young son (Noah Wiseman) years after the tragic death of her husband. A figure from a pop-up children's book begins to appear. As things grow more intense, his name is drawn out in three chilling syllables — "Bah-Bah-Doooook" — an incantation of unprocessed grief.
Kent recently spoke from her native Australia to reflect on the origins and continuing life of "The Babadook."
Q: Given that you didn't set out to in any way "change" horror, how have you regarded the unique afterlife of "The... Read More