If you watch NBC’s “The Jensen Project” on Friday, you probably won’t realize how much the science fiction movie owes to toothpaste and diapers.
The science fiction movie is part of a broader narrative being written by the world’s largest retailer and the world’s largest consumer products company. It is produced and bankrolled by Wal-Mart Stores Inc. and the Procter & Gamble Co. as the second of what the companies hope is a long-running series of family friendly programs they will bring to television.
“The Jensen Project” features LeVar Burton of “Roots” and “Reading Rainbow,” with Patricia Richardson of “Home Improvement.” The “project” is a secret community of geniuses formed to solve some of the world’s problems, and they must fight to keep a new technology from falling into evil hands.
The companies consider it a perfect movie for parents to watch with their children — without bad language or questionable content. It is material company executives say isn’t often available.
NBC welcomes the relationship and acknowledges that it “truly is programming that the entire family can enjoy together.”
“We’re trying to increase the supply,” Stephen Quinn, chief marketing officer at Wal-Mart, said. “Our belief was that the demand was there but the supply was short.”
Their first project, the movie “Secrets of the Mountain,” aired on NBC in April and was seen by a healthy audience of 7.5 million people. It was subsequently packaged by Wal-Mart to sell in its stores as a DVD and has sold more there than any other television movie, Quinn said.
“The Jensen Project” will get similar treatment, and the DVD will be paired with a soundtrack produced by Randy Jackson with music from Jordin Sparks and others.
The companies say their own research shows their customers want more family material. What is more important is that consumers have a more favorable view of their products, and a stronger inclination to buy them, if advertisements are associated with family friendly material. And the shows counter an opposing trend: Some consumers notice if a company’s ads are seen in racy programming, and advertisers are often targeted when boycott campaigns are launched.
“You’ve heard of being judged by the company you keep?” said Marc Pritchard, global marketing and brand-building officer at Procter & Gamble, which makes products such as Tide laundry detergent, Crest toothpaste and Pampers disposable diapers. “We’re judged by the company we keep.”
The companies insist they’re not trying to use their muscle to force out more adult-oriented fare. Instead, they want more alternatives for their brands. Wal-Mart says it has recently started advertising more on the Hallmark Channel, known for its family movies and reruns of such series as “Little House on the Prairie.” Procter & Gamble traditionally buys more television advertising than any other single company.
Wal-Mart is using many ways to get the word out to its customers about “The Jensen Project,” including promotion on its Facebook page and several blogs aimed at mothers, Quinn said.
Many of those customers are looking for alternatives. Family viewing is key to television’s most popular show, “American Idol.” But with scripted material, many Hollywood producers and network executives consider family friendly a synonym for dull, particularly when they’re most intent on seeking young adult viewers.
For NBC, a family movie on a summer Friday night is a relatively risk-free move — particularly when the producers paid for making it and have guaranteed that the network will not lose money by airing it.
Wal-Mart and Procter & Gamble have started the Alliance for Family Entertainment with about 40 prominent advertisers, including Hasbro, General Mills and Pepsi-Cola. They have one other movie, “A Walk in My Shoes,” that will be ready to air this fall.
The alliance is also looking to produce series and is working with MTV on a show, “Pedro & Maria,” that will begin this fall, Pritchard said. They would like to enter the growing Spanish-language market, too.
The alliance is an outgrowth of the 1990s-era Family Friendly Programming Forum, where advertisers paid seed money to develop scripts for family friendly programming. “Gilmore Girls” was that group’s most prominent success.
“We’re looking to improve the programming in a number of different ways,” Quinn said.
Oscar Nominees Delve Into The Art Of Editing At ACE Session
You couldn’t miss Sean Baker at this past Sunday’s Oscar ceremony where he won for Best Picture, Directing, Original Screenplay and Editing on the strength of Anora. However, earlier that weekend he was in transit from the Cesar Awards in Paris and thus couldn’t attend the American Cinema Editors (ACE) 25th annual panel of Academy Award-nominated film editors held at the Regal LA Live Auditorium on Saturday (3/1) in Los Angeles. While the eventual Oscar winner in the editing category was missed by those who turned out for the ACE “Invisible Art, Visible Artists” session, three of Baker’s fellow nominees were on hand--Dávid Jancsó, HSE for The Brutalist; Nick Emerson for Conclave; and Myron Kerstein, ACE for Wicked. Additionally, Juliette Welfling, who couldn’t appear in person due to the Cesar Awards, was present via an earlier recorded video interview to discuss her work on Emilia Pérez. The interview was conducted by ACE president and editor Sabrina Plisco, ACE who also moderated the live panel discussion. Kerstein said that he was the beneficiary of brilliant and generous collaborators, citing, among others, director Jon M. Chu, cinematographer Alice Brooks, and visual effects supervisor Pablo Helman. The editor added it always helps to have stellar acting performances, noting that hearing Cynthia Erivo, for example, sing live was a revelation. Kerstein recalled meeting Chu some eight years ago on a “blind Skype date” and it was an instant “bromance”--which began on Crazy Rich Asians, and then continued on such projects as the streaming series Home Before Dark and the feature In The Heights. Kerstein observed that Chu is expert in providing collaborators with... Read More