Film Independent, the non-profit arts organization that produces the Los Angeles Film Festival and the Spirit Awards, announced that Jennifer Cochis is being promoted to director of the Los Angeles Film Festival. Cochis, a producer who has worked with the likes of Drake Doremus and James Ponsoldt, has also served as the Festival’s creative director, collaborating with outgoing Festival director Stephanie Allain on all aspects of the Festival. An award-winning independent producer, Allain (Hustle & Flow, Beyond the Lights) is in production on Justin Simien’s Netflix series Dear White People, posting Gerard McMurray’s Burning Sands and prepping Juanita, an Alfre Woodard vehicle to be directed by Clark Johnson.
“Jennifer Cochis is a brilliant new force on the Festival scene and I am extremely happy to have her step into this new role,” said Josh Welsh, president of Film Independent. “She brings so much experience, intelligence and passion to everything she does. She’s worked closely with the mighty Stephanie Allain on the Festival for the past two years, first as senior programmer and then as creative director, turning the Festival into a powerful platform for discovering new and diverse talent.”
Allain said, “It has been such an honor to shine a spotlight on women and directors of color and leaving is bittersweet. But I know that the festival is in extremely capable hands with Jennifer Cochis at the helm because she helped me build it.”
Cochis related, “It’s an incredibly exciting challenge to build upon the great work that Stephanie has done at the LA Film Festival these past five years. I am passionate about continuing to grow this Festival, bringing together audacious and brave visual storytellers with the audiences of Los Angeles.”
In addition to her festival work, Cochis has produced critically acclaimed films, both fiction (James Ponsoldt’s Smashed and Drake Doremus’ Douchebag) and non-fiction (Marius Markevicius’ The Other Dream Team and Elise Salomon’s Los Wild Ones). Cochis is a Sundance Institute Creative Producers Lab Fellow and was awarded their prestigious Sheila C. Johnson Fellowship. Currently, she is the digital studio head for Joss Whedon’s Save the Day, a pro-Hillary Clinton Super PAC, creating short videos that aim to get people out to vote.
The 23rd LA Film Festival, which will take place June 14–22, 2017 at ArcLight, is currently accepting submissions. The early deadline for submissions is October 28, the regular deadline is November 18 and the late deadline is December 16, 2016. Click here for submission guidelines and forms.
Harris Dickinson Toys With Ambiguity In “Babygirl” While Keeping a Secret From Nicole Kidman
Harris Dickinson was nervous to approach Nicole Kidman.
This would not necessarily be notable under normal circumstances, but the English actor had already been cast to star opposite her in the erotic drama "Babygirl," as the intern who initiates an affair with Kidman's buttoned-up CEO. They'd had a zoom with the writer-director Halina Reijn, who was excited by their playful banter and sure that Dickinson would hold his own. And yet when he found himself at the same event as Kidman, shyness took over. He admitted as much to Margaret Qualley, who took things into her own hands and introduced them.
"She helped me break the ice a bit," Dickinson said in a recent interview.
On set would be an entirely different story. Dickinson might not be nearly as "puckishly audacious" as his character Samuel but in the making of "Babygirl," he, Kidman and Reijn had no choice but to dive fearlessly into this exploration of sexual power dynamics, going to intimate, awkward, exhilarating and meme-able places. It's made the film, in theaters Christmas Day, one of the year's must-sees.
"There was an unspoken thing that we adhered to," Dickinson said. "We weren't getting to know each other's personal lives. When we were working and we were the characters, we didn't veer away from the material. I never tried to attach all of the history of Nicole Kidman. Otherwise it probably would have been a bit of a mess."
His is a performance that reconfirms what many in the film world have suspected since his debut seven years ago as a Brooklyn tough questioning his sexuality in Eliza Hittman's "Beach Rats": Dickinson is one of the most exciting young talents around.
Dickinson, 28, grew up in Leytonstone, in East London — the same neck of the woods as... Read More