By Mark Kennedy, Entertainment Writer
NEW YORK (AP) --Jay-Z, Foo Fighters, Tina Turner and Iron Maiden lead this year's nominees to the Rock and Roll Hall of Fame, a female-heavy list of 16 acts that includes for the first time The Go-Go's, Mary J. Blige and Dionne Warwick.
Artists are eligible for a nomination 25 years after the release of their first official recording. There are two newly eligible acts in Jay-Z and Foo Fighters while artists nominated for the first time include Blige, The Go-Go's, Iron Maiden, Warwick and Afrobeat pioneer Fela Kuti.
Several candidates are looking for a second spot in the hall. Turner would be inducted for a second time, having gone to the hall as part of Ike & Tina Turner in 1991. King is already in the hall as a songwriter and she would go in again this time as a performer. Foo Fighters frontman Dave Grohl is already in the hall as a member of Nirvana.
If elected, King and Turner would become the second and third female artists inducted twice, following Stevie Nicks' 2019 election.
"This remarkable ballot reflects the diversity and depth of the artists and music the Rock & Roll Hall of Fame celebrates," said John Sykes, Chairman of Rock & Roll Hall of Fame Foundation, in a statement Wednesday. "These nominees have left an indelible impact on the sonic landscape of the world and influenced countless artists that have followed them."
Other nominees include: Kate Bush, Devo, Chaka Khan, LL Cool J, New York Dolls, Rage Against the Machine and Todd Rundgren. LL Cool J is on his sixth nomination and Chaka Khan is on her third solo nomination.
The class of 2021 will be announced in May.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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