By Anthony McCartney, Entertainment Writer
LOS ANGELES (AP) --Jackson Browne doesn’t want John McCain running on anything fueled by his lyrics. The singer-songwriter sued McCain and the Ohio and national Republican committees in U.S. District Court in Los Angeles on Thursday, accusing them of using his song “Running on Empty” without his permission.
The lawsuit claims the song’s use was an infringement of his copyright and will lead people to conclude he endorses McCain. The suit says Browne is a lifelong liberal who is as well-known for his music as for being “an advocate for social and environmental justice.”
The advertisement mocks Democratic presidential candidate Barack Obama’s contention that if U.S. drivers got regular tuneups and drove on properly inflated tires, they could save the same amount of oil that would be gained by offshore drilling. According to the suit, “Running on Empty” plays in the background of the ad criticizing the remarks.
Robert Bennett, chairman of the Ohio party, said the ad was pulled when Browne objected. He called the lawsuit a “big to-do about nothing.”
McCain spokesman Brian Rogers disavowed the ad, saying it wasn’t a product of the Republican presidential candidate’s campaign.
Browne’s lawsuit contends the Ohio Republican party released the ad on behalf of McCain and the RNC. The RNC did not return a phone call seeking comment.
The suit notes that other musicians, including ABBA and John Cougar Mellencamp, have asked McCain to stop using their work.
Browne’s attorney, Lawrence Iser, called the ad’s use of the song “reprehensible.”
The 59-year-old singer claims his reputation has already been damaged and is seeking more than $75,000 in damages.
Browne released “Running on Empty” – the song and an album by the same name – in 1977. According to the lawsuit, the album has sold more than 7 million copies.
Browne’s financial success has aided Democratic candidates over the years. C ampaign finance records show he contributed $2,300 to Obama’s presidential campaign last year and $2,000 to the Illinois senator’s campaign coffers in 2004.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More