Jackson Browne doesn’t want John McCain running on anything fueled by his lyrics. The singer-songwriter sued McCain and the Ohio and national Republican committees in U.S. District Court in Los Angeles on Thursday, accusing them of using his song “Running on Empty” without his permission.
The lawsuit claims the song’s use was an infringement of his copyright and will lead people to conclude he endorses McCain. The suit says Browne is a lifelong liberal who is as well-known for his music as for being “an advocate for social and environmental justice.”
The advertisement mocks Democratic presidential candidate Barack Obama’s contention that if U.S. drivers got regular tuneups and drove on properly inflated tires, they could save the same amount of oil that would be gained by offshore drilling. According to the suit, “Running on Empty” plays in the background of the ad criticizing the remarks.
Robert Bennett, chairman of the Ohio party, said the ad was pulled when Browne objected. He called the lawsuit a “big to-do about nothing.”
McCain spokesman Brian Rogers disavowed the ad, saying it wasn’t a product of the Republican presidential candidate’s campaign.
Browne’s lawsuit contends the Ohio Republican party released the ad on behalf of McCain and the RNC. The RNC did not return a phone call seeking comment.
The suit notes that other musicians, including ABBA and John Cougar Mellencamp, have asked McCain to stop using their work.
Browne’s attorney, Lawrence Iser, called the ad’s use of the song “reprehensible.”
The 59-year-old singer claims his reputation has already been damaged and is seeking more than $75,000 in damages.
Browne released “Running on Empty” – the song and an album by the same name – in 1977. According to the lawsuit, the album has sold more than 7 million copies.
Browne’s financial success has aided Democratic candidates over the years. C ampaign finance records show he contributed $2,300 to Obama’s presidential campaign last year and $2,000 to the Illinois senator’s campaign coffers in 2004.
Oscar Nominees Delve Into The Art Of Editing At ACE Session
You couldn’t miss Sean Baker at this past Sunday’s Oscar ceremony where he won for Best Picture, Directing, Original Screenplay and Editing on the strength of Anora. However, earlier that weekend he was in transit from the Cesar Awards in Paris and thus couldn’t attend the American Cinema Editors (ACE) 25th annual panel of Academy Award-nominated film editors held at the Regal LA Live Auditorium on Saturday (3/1) in Los Angeles. While the eventual Oscar winner in the editing category was missed by those who turned out for the ACE “Invisible Art, Visible Artists” session, three of Baker’s fellow nominees were on hand--Dávid Jancsó, HSE for The Brutalist; Nick Emerson for Conclave; and Myron Kerstein, ACE for Wicked. Additionally, Juliette Welfling, who couldn’t appear in person due to the Cesar Awards, was present via an earlier recorded video interview to discuss her work on Emilia Pérez. The interview was conducted by ACE president and editor Sabrina Plisco, ACE who also moderated the live panel discussion. Kerstein said that he was the beneficiary of brilliant and generous collaborators, citing, among others, director Jon M. Chu, cinematographer Alice Brooks, and visual effects supervisor Pablo Helman. The editor added it always helps to have stellar acting performances, noting that hearing Cynthia Erivo, for example, sing live was a revelation. Kerstein recalled meeting Chu some eight years ago on a “blind Skype date” and it was an instant “bromance”--which began on Crazy Rich Asians, and then continued on such projects as the streaming series Home Before Dark and the feature In The Heights. Kerstein observed that Chu is expert in providing collaborators with... Read More