By David Bauder, Television Writer
NEW YORK (AP) --Hurricane Irma was a record-setter for The Weather Channel, too.
The Nielsen company said an average of 3.29 million people watched the network on Sunday as the deadly storm blew over Florida. Meteorologists were stationed all over the state, offering live shots in the intense wind and rain.
The Weather Channel’s previous record was only a day earlier, with the 2.82 million people who watched the storm approach on Saturday. Before that, the standard came with the 2.48 million people who watched Hurricane Irene in 2011.
“The fact we achieved our highest ratings in the history of The Weather Channel during Irma is a testament to the trust we have built with our viewers for delivering important, life-saving information when they need it most,” said network CEO Dave Shull. “I am so proud of our staff for their hard work during this storm.”
More than 10 million people watched either The Weather Channel or the three cable news networks on Sunday night, and TWC beat CNN, Fox News Channel and MSNBC. The Weather Channel had 3.54 million viewers in primetime, compared with 205,000 viewers on the same night a year ago, Nielsen said.
Despite that coverage, and with much of Florida out of power, Nielsen estimated nearly 24.4 million people watched the NFL game between the Dallas Cowboys and New York Giants Sunday night. That was even higher than the opening Sunday-night game in 2016.
With two primetime football games, NBC easily won the week, averaging 10.5 million viewers. CBS averaged 4.6 million viewers in prime time, Fox had 4.4 million, ABC had 4.2 million, Telemundo had 1.6 million, Univision had 1.5 million, ION Television had 1.3 million and the CW had 1 million.
Fox News Channel was the week’s most popular cable network, averaging 2.41 million viewers in prime time. ESPN had 2.34 million, MSNBC had 1.94 million, CNN had 1.88 million and USA had 1.53 million.
ABC’s “World News Tonight” topped the evening newscasts with an average of 9 million viewers. NBC’s “Nightly News” had 8.7 million and the “CBS Evening News” had 6.8 million viewers.
Below are primetime viewership numbers compiled by Nielsen for Sept. 4-10. Listings include the week’s ranking and viewership.
1. NFL Football: N.Y. Giants at Dallas, NBC, 24.37 million.
2. NFL Football: Kansas City at New England, NBC, 21.8 million.
3. “Sunday Night NFL Pre-Kick,” NBC, 17.9 million.
4. “Thursday Night NFL Pre-Kick,” NBC, 16.24 million.
5. “America’s Got Talent” (Tuesday), NBC, 13.29 million.
6. “Football Night in America” (Sunday, 8 p.m.), NBC, 12.77 million.
7. “The OT,” Fox, 12.13 million.
8. “America’s Got Talent” (Wednesday), NBC, 11.99 million.
9. “NFL Opening Kick-Off Show,” NBC, 9.85 million.
10. “The Orville,” Fox, 8.56 million.
11. “60 Minutes,” CBS, 8.41 million.
12. College Football: Oklahoma at Ohio State, ABC, 8.08 million.
13. “NCIS,” CBS, 6.91 million.
14. “The Big Bang Theory,” CBS, 6.58 million.
15. “Big Brother” (Wednesday), CBS, 6.34 million.
16. “American Ninja Warrior,” NBC, 6.29 million.
17. “Big Brother” (Sunday), CBS, 6.27 million.
18. “Big Brother” (Thursday), CBS, 6.25 million.
19. “The Big Bang Theory” (Monday), CBS, 5.86 million.
20. “Football Night in America” (Sunday, 7:30 p.m.), NBC, 5.61 million.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More