The Republic of Ireland’s leading commercial broadcaster, TV3, has implemented next-generation graphics solutions from the Avid Studio Suite. Adopting additional comprehensive tools from the tightly integrated Avid MediaCentral® Platform will enable TV3 to maintain its competitive edge.
Operating out of its flagship broadcast hub in Dublin, TV3 needed to revitalize the traditional daily studio production for a range of its key programming, re-enforce its shows’ brands to viewers, and give producers and journalists greater ownership of their content. The soon-to-be upgraded “Studio One” is the main workhorse of TV3, broadcasting almost all of the daily studio output, covering everything from news and magazine shows to current affairs.
TV3 will be incorporating comprehensive tools from the Avid Storage, Media and Studio Suites into an existing Avid infrastructure to maximize audience engagement with stunning visual content and graphics. This includes integrating Avid Maestro™ and 4Designer–two of the most powerful tools from the Avid Studio Suite–with existing Avid Media Composer® suites, Avid Interplay® | Production media management and Avid shared storage.
Avid 4Designer graphics authoring software, the foundation of all Avid real-time graphics systems, will enable TV3 to enhance its television content for newscasts, panel shows and sports programming. Maestro, Avid’s on-air graphics and video solution, will empower TV3 to create, manage, distribute and play out stunning, high-resolution 3D graphics and videos easily, also allowing viewers to interact through on-screen social media integration.
“We feel graphical information should never be intrusive, but only add to the narrative of the main content,” said Liam O Neill, head of graphics at TV3 Group. “Avid’s tools will help us create greater ownership and awareness of graphic looks within program teams. It will also allow the TV3 graphics team greater movement to create more dynamic transitions, which in turn, will create a more balanced flow between graphic and live studio content.”
TV3’s investment also includes a support contract with Avid Global Services, tailored to meet the needs of the entire broadcast group and its channels. Users and operators have access to training packages to learn and use the systems to their best ability to increase the lifetime value of these new assets. Avid’s high-quality integrated graphics systems will also allow TV3 to easily adapt future requirements, such as moving toward cloud-based workflows.
Supplied by Dublin-based reseller and Avid partner, Tyrell CCT, TV3’s project was designed on a flexible deployment model, expanding upon their current commercial structure and licensing arrangement. The upgrade will go live toward the end of January 2017, with a view to enhance TV3’s ‘Studio Two’ in the near future.
“TV3’s new workflow results in an efficient, open ecosystem to create eye-catching graphics and generate engaging content for millions of Irish television viewers,” said Tom Cordiner, sr. VP, global sales for Avid. “With its operations built on a consistent set of core Avid workflows, TV3 continues to play a leading role in a preeminent client and user community, enhancing collaboration, creation, distribution and optimizing the sharing of media assets.”
Beginning in the late 1990’s, TV3 Group offers viewers the most popular programming, including global sports events like the Rugby World Cup, news, analytical and documentary shows, entertainment programs and award-winning reality television like The X Factor and Britain’s Got Talent. It also runs a sister channel, 3e, targeting a younger audience demographic between 15 and 34.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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