Innocean USA has promoted Barney Goldberg and Bob Rayburn to executive creative directors of Hyundai and Genesis, respectively.
In their individual roles, Goldberg oversees a multi-channel creative department charged with making Hyundai work that resonates with a diverse audience. Rayburn’s focus is on building Hyundai’s Genesis brand, one of the newest luxury car companies in the automobile market.
In 2016, Goldberg and Rayburn were the key creative leads on Hyundai’s Super Bowl 50 work, winning the USA Today Ad Meter with spots ranked #1, #5, and #6. The following year, they helped lead Hyundai’s Super Bowl effort, “Operation Better.” The one-of-a-kind live commercial shortlisted at Cannes. Goldberg led Hyundai’s FIFA World Cup campaign. The campaign hashtag, #becausefutbol, allowed Hyundai to become a part of the World Cup conversation. Hyundai finished second only to Adidas for most popular brand on Twitter during the event.
Goldberg’s many years of experience includes the Dr. Pepper and Volkswagen business when at Deutsch LA, producing Super Bowl spots for both. When at TBWAChiatDay LA, he worked on Nissan. At Saatchi LA, his work included vehicle launches for Toyota, in addition to Toyota’s NBA sponsorship. Goldberg’s work has been recognized by nearly every industry competition, including Cannes, The One Show, Communication Arts and the Effies.
Since joining Innocean in 2014, Rayburn spearheaded the launch of the Genesis brand in all channels, including multiple global efforts, as well as the launch of MotorTrend’s 2019 Car of the Year, Genesis G70.
Prior to joining Innocean, Rayburn was creative director at TBWAChiatDay where he worked on the Grammy Awards. The 2014 Grammys broke the record for social media mentions in a live broadcast, well ahead of the Super Bowl and the Academy Awards. Overall, ratings climbed 400% from when he first started on that business. Rayburn also led and won the pitches for Miller Lite and Buffalo Wild Wings. He has won awards on all advertising platforms, digital, mobile, traditional, social and design.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More