By Thomas Adamson
CANNES, France (AP) --Veteran British director Ken Loach has won his second Palme d'Or at the Cannes Film Festival Sunday for "I, Daniel Blake" – a stark and polemical portrayal of a disabled man's struggle with the benefits system in gritty northern England.
The 79-year-old was presented the festival's top prize by actor Mel Gibson at a ceremony on the French Riviera. Accepting the award, the silver-haired Loach punched his fists in the air in victory and said that he hoped his social realist film would give out a message of hope.
"I, Daniel Blake" is a warm and realistic drama about a middle-aged widower who, after a heart attack, can neither work nor get government money. It follows the sometimes comic, frequently painful frustrations as he winds his way through an archaic system that seems designed to bring him down.
Loach has long brought his distinct portrayals of the British working class to Cannes. He has had 12 films in competition at the festival over the years, including his Palme d'Or-winning "The Wind That Shakes the Barley." He's more a regular at Cannes than almost any filmmaker.
Like many of Loach's films, social politics is at the heart of "I, Daniel Blake."
"There is a conscious cruelty in the way that we are organizing our lives now, where the most vulnerable people are told that their poverty is their own fault," Loach told reporters earlier in the festival. "If you have no work it's your fault you haven't got a job. Never mind in Britain, there is mass unemployment throughout Europe."
Canadian director Xavier Dolan picked up the runner-up Grand Prize, which has been seen by some critics as a vindication for him personally after his film "It's Only The End Of The World" garnered lukewarm reviews and triggered a spat between him and certain film critics. The 27-year-old won the jury prize in 2014 for "Mommy".
The jury of the 69th Cannes Film Festival was headed by Australian director George Miller who described the jury's selection as "two words: rigorous and happy."
The Cannes jury's decisions are famously unpredictable, and take place behind doors closed to the press for the duration of the May 11-22 festival.
Despite mixed reviews, director Asghar Farhadi's film "The Salesman" picked up several awards including best screenplay and best actor for Shahab Hosseini.
Romanian director Cristian Mungui, who was a favorite to win the Palme d'Or for "Graduation," won the best director award, which he shared with French director Olivier Assayas for his paranormal thriller "Personal Shopper," starring former "Twilight" star Kristen Stewart.
And director Andrea Arnold garnered the Jury Award for her lauded "American Honey."
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More