TV nominations includes "Chernobyl," "GLOW," "The Handmaid's Tale," "Game of Thrones"
Nominees have been revealed for the 22nd CDGA (Costume Designers Guild Awards) celebrating excellence in film, television, and short form Costume Design. Winners will be announced at the ceremony which will take place on Tuesday, January 28, 2020 at the Beverly Hilton Hotel.
Among the feature film nominees are Hustlers, Queen & Slim, Downton Abbey, Jojo Rabbit, Avengers: Endgame and Rocketman.
TV nominations include Chernobyl, GLOW, The Handmaid’s Tale and The Marvelous Mrs. Maisel.
As previously announced, this year’s host will be Emmy-nominated writer, producer, author, director and actor Mindy Kaling, while the honorees will include Mary Ellen Fields (Distinguished Service Award), Michael Kaplan (Career Achievement Award), Adam McKay (Distinguished Collaborator Award), and Charlize Theron (Spotlight Award).
“On behalf of the Costume Designers Guild, I’d like to congratulate all of our 22nd CDGA nominees. This year is a particularly exciting year for television as we have updated our rules of submission. Designers now submit a single episode that best represents their work on a series. We are looking forward to celebrating all of our talented costume designers, as well as our amazing honorees in January,” said Salvador perez, president of the Costume Designers Guild Local #892.
Following is the list of final nominees:
Excellence in Contemporary Film
A Beautiful Day in the Neighborhood – Arjun Bhasin
Hustlers – Mitchell Travers
Knives Out – Jenny Eagan
The Laundromat – Ellen Mirojnick
Queen & Slim – Shiona Turini
Excellence in Period Film
Dolemite is My Name – Ruth E. Carter
Downton Abbey – Anna Mary Scott Robbins
Jojo Rabbit – Mayes C. Rubeo
Once Upon a Time in Hollywood – Arianne Phillips
Rocketman – Julian Day
Excellence in Sci-Fi / Fantasy Film
Aladdin – Michael Wilkinson
Avengers: Endgame – Judianna Makovsky
Captain Marvel – Sanja M. Hays
Maleficent: Mistress of Evil – Ellen Mirojnick
Star Wars: The Rise of Skywalker – Michael Kaplan
Excellence in Contemporary Television
Big Little Lies: “She Knows” – Alix Friedberg
Fleabag: “2.1” – Ray Holman
Killing Eve: “Desperate Times” – Charlotte Mitchell
Russian Doll: “Superiority Complex” – Jennifer Rogien
Schitt’s Creek: “The Dress” – Debra Hanson
Excellence in Period Television
Chernobyl: “Please Remain Calm” – Odile Dicks-Mireaux
The Crown: “Cri De Coeur” – Amy Roberts
Fosse/Verdon: “Life is a Cabaret” – Melissa Toth & Joseph La Corte
GLOW: “Freaky Tuesday” – Beth Morgan
The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage” – Donna Zakowska
Excellence in Sci-Fi / Fantasy Television
Carnival Row: “Aisling” – Joyce Schure
Game of Thrones: “The Iron Throne” – Michele Clapton
The Handmaid’s Tale: “Household” – Natalie Bronfman
A Series of Unfortunate Events: “Penultimate Peril: Part 2” – Cynthia Summers
Watchmen: “It’s Summer and We’re Running Out of Ice” – Sharen Davis
Excellence in Variety, Reality-Competition, Live Television
Dancing with the Stars: “First Elimination” – Daniella Gschwendtner & Steven Norman Lee
The Late Late Show with James Corden: “Crosswalk the Musical: Aladdin” – Lauren Shapiro
The Masked Singer: “Season Finale: And the Winner Takes It All and Takes It Off” – Marina Toybina
RuPaul’s Drag Race: “Whatcha Unpackin?” – Zaldy for RuPaul
Saturday Night Live: “Sandra Oh / Tame Impala” – Tom Broecker & Eric Justian
Excellence in Short Form Design
Katy Perry: “Small Talk” music video – Phoenix Mellow
Kohler Verdera Voice Smart Mirror: “Mirror, Mirror” commercial – Ami Goodheart
Lil Nas X: “Old Town Road” music video – Catherine Hahn
Madonna: “God Control” music video – B. Ã…kerlund
United Airlines: “Star Wars Wing Walker” commercial – Christopher Lawrence
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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