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    “The Hunger Games: Catching Fire” Blazes New Box Office Trail In November

    By SHOOTUpdated:No Comments2743 Views
    This publicity photo released by Lionsgate shows Jennifer Lawrence, left, as Katniss Everdeen and Josh Hutcherson as Peeta Mellark in a scene from the film, “The Hunger Games: Catching Fire.” (AP Photo/Lionsgate, Murray Close)

    Opens With $161M Domestic Weekend Tally

    By Jake Coyle, Film Writer

    NEW YORK (AP) --

    Moviegoers satiated their appetite for the "Hunger Games" franchise by making the sequel "Catching Fire" one of the year's biggest hits.

    "The Hunger Games: Catching Fire" opened with $161.1 million at the domestic weekend box office, according to studio estimates Sunday.

    It became the biggest November debut ever, as well as Lionsgate's most lucrative opening.

    The result fell short of some expectations and failed to dethrone the year's biggest box-office opening, "Iron Man 3" with $174 million. But the film opened massively worldwide, taking in a total of $307.7 million.

    The marketplace largely ceded the weekend to "Catching Fire." The only other new wide release was Disney's Vince Vaughn comedy "Delivery Man," which sputtered to an $8.2 million opening.

    The box-office performance for "Catching Fire" establishes "Hunger Games," starring Jennifer Lawrence as the archer heroine of Suzanne Collins' young adult series, as among the elite franchises in movies. The budget nearly doubled from the original and Francis Lawrence took over directing duties from Gary Ross. "Catching Fire" received better reviews and drew a broader audience.

    "When the first film was released, there was this idea that it was going to appeal largely to young girls," said Paul Dergarabedian, senior media analyst for box-office tracker Rentrak. "But over time, it's skewing back toward male audiences. There's actually a lot of action, there's violence in the movie. It's crossing over to a much broader base."

    The domestic opening for "Catching Fire" is the fourth best ever, following "The Avengers ($207 million), "Iron Man 3" and "Harry Potter and the Deathly Hallows: Part II" ($169 million).

    Record keeping, though, has become more complicated in recent years at the box office. Higher-priced 3-D or IMAX screenings can boost revenue, as can early screenings. "Catching Fire," which earned 8 percent of its gross from IMAX showings, counted $25 million from Thursday night screenings among its weekend total.

    The original "Hunger Games" earned $152.5 million in its opening weekend in March 2012, but didn't debut until midnight screenings Thursday.

    "It's really become a phenomenon," said David Spitz, head of distribution for Lionsgate. "We've established now a better opening than the first, and now we're entering into the Thanksgiving and Christmas period, which is very, very lucrative."

    After two weeks atop the box office, "Thor: The Dark World," released by Disney, slid to second with $14.1 million. After an impressive opening, the romantic comedy "The Best Man Holiday" added $12.5 million for a two-week total of $50.4 million.

    Overseas, the critical and box-office hit "Gravity" from Warner Bros. opened big in China. The Sandra Bullock space adventure added $46.6 million to its international total in its eighth week of release. Its cumulative haul is up to $577 million.

    Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

    1. "The Hunger Games: Catching Fire," $161.1 million ($146.6 million international).

    2. "Thor: The Dark World," $14.1 million ($24.8 million international).

    3. "The Best Man Holiday," $12.5 million.

    4. "Delivery Man," $8.2 million ($1.2 million international).

    5. "Free Birds," $5.3 million ($575,000 international).

    6. "Last Vegas," $4.4 million ($2.4 million international).

    7. "Bad Grandpa," $3.5 million ($2.4 million international).

    8. "Gravity," $3.3 million ($46.6 million international).

    9. "12 Years a Slave," $2.8 million.

    10. "Dallas Buyers Club," $2.8 million.

    ___

    Estimated weekend ticket sales Friday through Sunday at international theaters (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:

    1. "The Hunger Games: Catching Fire," $146.6 million.

    2. "Gravity," $46.6 million.

    3. "Thor: The Dark World," $24.8 million.

    4. "Fack Ju Gohte," $8.3 million.

    5. "Captain Phillips," $6.8 million.

    6. "The Counselor," $5.4 million.

    7. "Cloudy With a Chance of Meatballs 2," $5 million.

    8. "Friends 2," $4 million.

    (tie) "Me, Myself and Mum," $4 million.

    10. "Sole A Catinelle," $3.2 million.

    Category:News
    Tags:box officeCatching FireThe Hunger Games



    Review: Director Ben Taylor’s “Joy”

    Thursday, November 21, 2024

    Toward the end of Netflix's "Joy," the muffled cry of a newborn baby prompts a man and woman in a hospital to embrace out of pure bliss. They aren't the parents, but they had as much to do with the birth as the mom and dad.

    This charming and winning movie charts the decade-long true story of how the world's first IVF baby was born in England in 1978 — a 5-pound, 12-ounce girl who paved the way for millions more. It's an upbeat, very English affair, mixing sober discussion of endometriosis with chocolate biscuits.

    The couple embracing that day were pioneering scientist Robert Edwards and Jean Purdy, a young nurse and embryologist. Together with surgeon Patrick Steptoe, the trio succeeded with in vitro fertilization, a method of treating infertility. Edwards would go on to win the Nobel Prize.

    "Joy" has been birthed at a time when science is under threat in America — even IVF — so it's downright inspiring to see plucky, smart scientists working hard to change the world. "What we're doing, it matters," says Steptoe, played with quiet economy by Bill Nighy.

    "Joy" is the personal stories of the three scientists — mostly through the eyes of Purdy, a polite lab-coated warrior. "If I hear a commotion, I'm not very good at staying out of it," she says. Perfectly played by Thomasin McKenzie, Purdy is both vulnerable and strong, learning through the process to be a better human. James Norton plays Edwards with charm, self-doubt and calm spirit.

    Jack Thorne's script nicely explains the massive pressure the trio faced. IVF may have become common and uncontroversial over the last decades, but back in the late '70s it was experimental and shunned. The Anglican church called it a sin, the newspapers labeled it Frankenstein-ish and other... Read More

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