Director David Semel, whose television credits include Homeland, American Horror Story and House M.D.–as well as Person of Interest with JJ Abrams–has signed with Santa Monica-based Accomplice Media for representation in commercials. It’s the first time Semel has pursued work in advertising. A two-time Emmy nominee, Semel most recently directed the CBS pilot, Madame Secretary, starring Tea Leoni.
Semel has long been interested in directing commercials and says the advent of long-form narrative-driven advertising content has created a demand for his skill set. “I’ve always been enamored with commercial media because it’s aggressive, forward-thinking and visually arresting,” he explained. “I also like the brevity and economy in storytelling.”
Accomplice Media executive producer Jeff Snyder noted that, as a result of Semel’s television experience, he‘s become a master at illuminating a story’s central core. “He has a fantastic ability to create natural narratives and capture authentic moments,” Snyder said. “He’s also worked with top tier celebrities who enjoy his professionalism and ability to encourage great performances.”
Semel has been directing episodic television for more than 20 years and is among the most sought-after directors in Hollywood for pilots and series creation. He has directed 15 pilots, 12 of which have gone to series, an astonishing success rate in today’s marketplace. His list of successful show launches includes American Dreams, Heroes, Life, and No Ordinary Family. Airing this season are CBS’ Intelligence and TNT’s Legends (with the executive producer of Homeland and 24). His long list of series work includes Hannibal, CSI and Studio 60 on the Sunset Strip, as well as the soon to debut The Strain from Guillermo del Toro. Semel has also served as executive producer on more than a dozen television series.
Snyder expects Semel to draw interest from advertisers seeking the kind of sharp, well-crafted and emotionally taut storytelling that has characterized much of his television output. “We’re confident that agencies and brands will be very excited by David’s ability to develop characters, engage with audiences and attract top-level talent,” Snyder related.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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