Hollywood producers gave the Screen Actors Guild another contract offer in hopes of ending a labor dispute that has lasted for months.
The proposal, which producers called their “last, best and final offer,” came as the two sides ended three days of negotiations Thursday.
SAG, the last holdout among several unions that have agreed to long-term contracts, has opposed the producers’ previous offer, saying it failed to guarantee guild coverage in productions made for the Internet and failed to make residual payments on made-for-Internet content that is rerun online, among other issues.
The Alliance of Motion Picture and Television Producers said the offer provides residuals for several kinds of Internet programming, though it was unclear whether it specifically addressed the guild’s demands. It also said the offer represents a $250 million increase over the contract that expired on June 30.
A message left with SAG spokeswoman Pamela Greenwalt were not immediately returned Thursday night.
“The terms in the offer are the best we can or will offer in light of the five other major industry labor deals negotiated over the past year and the extraordinary economic crisis gripping the world economy,” AMPTP said in a statement.
Producers said SAG has 60 days to accept the proposed three-year contract. Afterward they reserve the right to modify or withdraw the offer.
Producers insist the three-year contract would start when it is ratified, instead of when the last one expired, which would mean SAG would not be able to join with the writers’ and directors’ guilds to increase their bargaining power when their contracts expire in 2011.
The negotiations this week followed months of internal strife at the guild, which fired its national executive director, Doug Allen, earlier this month. Allen had supported holding a strike vote but the leadership change makes such a vote highly unlikely.
The talks marked the first time the two sides met since November.
Netflix Series “The Leopard” Spots Classic Italian Novel, Remakes It As A Sumptuous Period Drama
"The Leopard," a new Netflix series, takes the classic Italian novel by Giuseppe Tomasi di Lampedusa and transforms it into a sumptuous period piece showing the struggles of the aristocracy in 19th-century Sicily, during tumultuous social upheavals as their way of life is crumbling around them.
Tom Shankland, who directs four of the eight episodes, had the courage to attempt his own version of what is one of the most popular films in Italian history. The 1963 movie "The Leopard," directed by Luchino Visconti, starring Burt Lancaster, Alain Delon and Claudia Cardinale, won the Palme d'Or in Cannes.
One Italian critic said that it would be the equivalent of a director in the United States taking "Gone with the Wind" and turning it into a series, but Shankland wasn't the least bit intimidated.
He said that he didn't think of anything other than his own passion for the project, which grew out of his love of the book. His father was a university professor of Italian literature in England, and as a child, he loved the book and traveling to Sicily with his family.
The book tells the story of Don Fabrizio Corbera, the Prince of Salina, a tall, handsome, wealthy aristocrat who owns palaces and land across Sicily.
His comfortable world is shaken with the invasion of Sicily in 1860 by Giuseppe Garibaldi, who was to overthrow the Bourbon king in Naples and bring about the Unification of Italy.
The prince's family leads an opulent life in their magnificent palaces with servants and peasants kowtowing to their every need. They spend their time at opulent banquets and lavish balls with their fellow aristocrats.
Shankland has made the series into a visual feast with tables heaped with food, elaborate gardens and sensuous costumes.... Read More