By A SHOOT Staff Report
LOS ANGELES --While preliminary numbers indicate that the Nielsen ratings for last night’s (2/24) Oscar telecast are slightly up from the prior year, the cost of a :30 timeslot on ABC to sponsor Hollywood’s biggest night was about the same as in 2018, coming in at an average of $2.2 million.
Whether or not advertisers got their money’s worth remains to be seen but a couple of trends were evident in this year’s crop of ads, most notably tapping into auteur filmmakers on different fronts, among the notable entries being a :60 version of the Ridley Scott-directed short film Seven Worlds for Hennessy X.O. out of DDB Paris.
Complementing the idea that “Each drop of Hennessy X.O. is an Odyssey,” the Academy Award-nominated director of the films The Martian and Gladiator as well as breakthrough films Alien and Blade Runner, created a visual journey that explores the seven flavor profiles in a surreal, sensorial and immersive narrative. Produced by RSA, the film is a creative interpretation of each of the seven tasting notes, described by Hennessy’s Comité de Dégustation as illustrations of Hennessy X.O’s taste and feel: Sweet Notes, Rising Heat, Spicy Edge, Flowing Flame, Chocolate Lull, Wood Crunches; culminating in Infinite Echo.
The Seven Worlds production team included VFX house Moving Picture Company (MPC), which previously collaborated with Scott on the films Alien, The Martian as well as Blade Runner. Composer Daniel Pemberton, who previously worked on Scott’s films All the Money in the World and The Counselor, created The Seven Worlds score.
Meanwhile Marriott Bonvoy–the new loyalty platform taking the place of Marriott Rewards, The Ritz-Carlton Rewards and Starwood Preferred Guest program–unveiled a minute commerical pod during the Oscar telecast, billboarding its airing with the “Travel Inspires Film/Film Inspires Travel” theme, noting on screen that the work we were about to watch was directed by Oscar nominee (for Amelie) Jean-Pierre Jeneut. Produced by Independent Media, the Marriott Bonvoy fare was out of agency Observatory and shot by two-time Oscar winning cinematographer (Schindler’s List, Saving Private Ryan) Janusz Kaminski (who is also on Independent Media’s directorial roster for spots and branded content).
Rolex also aired its Oscar sponsorship campaign which featured luminary directors Martin Scorsese, Kathryn Bigelow, Alejandro Inarritu and James Cameron on-camera writing letters to filmmakers of the future.
And for movie-goers, a promo for the next Scorsese film, The Irishman, made a big impression on Oscar night. With a cast headlined by Robert De Niro and Al Pacino, The Irishman is another high-profile Netflix project.
Hollywood themes were pervasive in the Oscar ad derby, with Google’s campaign tapping into classic movies, including a spot where an online mobile search for a nearby comfortable hotel yielded the Bates Motel of Hitchcock Psycho infamy.
Walmart’s Oscar campaign took viewers onto movie sets and location shoots, breaking away to the often unsung behind-the-scenes crew members–the real stars whose fashion is “styled” at Walmart.
Aspirational/inspirational fare
Aside from the Hollywood motif, aspirational fare was also evident during the Oscar telecast, including a “Dear Tech” IBM spot which implores us to “put smart to work” to make a better world.
In this same vein, Samsung ran a spot, which debuted earlier in the month, in which the company’s developing technology is being used to do wondrous things, including a mobile device which allows a couple to see their unborn infant via ultrasound, and a tattoo artist who remotely creates an intricate design on a young woman. Sam Pilling of Pulse Films directed for Leo Burnett, Chicago. Helping to drive this anthem piece is a classic tune. Leo Burnett, in collaboration with music house Human, reintroduces a recording of “Que Será Será” to a new audience by remixing it with booming bass and hi-hats underneath. The team played with multiple genres of the classic song but creative instincts led them back to the magical charm of Doris Day accompanied by Frank De Vol and his orchestra. Day’s voice brings joy to the characters singing along.
Also on the inspirational front, Nike aired an Oscar commercial that encourages women to continue to reach for the stars. Narrated by tennis star Serena Williams, the spot–directed by Kim Gehrig via production house Somesuch for Wieden+Kennedy, Portland, Ore.–shows what aspiring and professional female athletes have to combat beyond their competitors on the court or on the other side of the net. Titled “Dream Crazier,” the spot has Williams sharing, “If we show emotion, we’re called dramatic. If we want to play against men, we’re nuts.” Women who dare to excel and compete are furthermore labeled with adjectives ranging from “unhinged,” “hysterical” and “delusional.” Williams concludes , “if they want to call you crazy, fine. Show them what crazy can do.”
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More