HiScene, Inuitive and Heptagon have teamed to roll out HiAR Glasses, billed as HiScene’s next generation of Augmented Reality (AR )glasses. The companies worked together to develop a complete solution for advanced 3D depth sensing and AR/VR applications that delivers excellent performance even in changing light conditions and outdoors. HiAR Glasses incorporate Inuitive’s NU3000 Computer Vision Processor and Heptagon’s advanced illumination.
The glasses’ AR operating system provides stereoscopic interactivity, 3D gesture perception, intelligent speech recognition, natural image recognition, inertial measuring unit (IMU) displayed with an improved 3D graphical user interface.
“We are committed to providing the best possible user experience to our customers, and for this reason we have partnered with Inuitive and Heptagon to create the most intelligent AR glasses available on the market,” said Chris Liao, CEO of HiScene. “The technologies implemented provide a seamless experience in a robust and compact format, without compromising on battery life.”
Inuitive’s NU3000 serves AR Glasses by providing 3D depth sensing and computer vision capabilities. This solution acts also as a smart sensors hub to accurately time-stamp and synchronize multiple sensors in a manner that off-loads the application processor and shortens the development time. “Inuitive’s solution allows Hiscene to provide the reliability, latency and performance its customers expect,” said Shlomo Gadot, CEO of Inuitive. “With Inuitive technology, AR products and applications can now be used outdoors without the sunlight interfering or damaging their efficacy thanks to cameras featuring depth perception.”
Heptagon provides unique IR Pattern Illuminators, which were chosen to handle changing light conditions and plain surfaces. In addition, the range and Field of Illumination features of Heptagon’s LIMA stereo pattern projector ensure superior lighting and added texture for higher-quality images.
“Our Wide Field of Illumination provides better gesture recognition, and our miniaturization technologies enable ultra-small, high performance, low power components for 3D AR/VR applications,” said Dr. Erik H. Volkerink, Heptagon’s chief business officer and executive VP.
Review: Director Jon M. Chu’s “Wicked”
It's the ultimate celebrity redemption tour, two decades in the making. In the annals of pop culture, few characters have undergone an image makeover quite like the Wicked Witch of the West.
Oh, she may have been vengeful and scary in "The Wizard of Oz." But something changed — like, REALLY changed — on the way from the yellow brick road to the Great White Way. Since 2003, crowds have packed nightly into "Wicked" at Broadway's Gershwin Theatre to cheer as the green-skinned, misunderstood Elphaba rises up on her broomstick to belt "Defying Gravity," that enduring girl-power anthem.
How many people have seen "Wicked"? Rudimentary math suggests more than 15 million on Broadway alone. And now we have "Wicked" the movie, director Jon M. Chu's lavish, faithful, impeccably crafted (and nearly three-hour) ode to this origin story of Elphaba and her (eventual) bestie — Glinda, the very good and very blonde. Welcome to Hollywood, ladies.
Before we get to what this movie does well (Those big numbers! Those costumes!), just a couple thornier issues to ponder. Will this "Wicked," powered by a soulful Cynthia Erivo (owner of one of the best singing voices on the planet) and a sprightly, comedic, hair-tossing Ariana Grande, turn even musical theater haters into lovers?
Tricky question. Some people just don't buy into the musical thing, and they should be allowed to live freely amongst us. But if people breaking into song delights rather than flummoxes you, if elaborate dance numbers in village squares and fantastical nightclubs and emerald-hued cities make perfect sense to you, and especially if you already love "Wicked," well then, you will likely love this film. If it feels like they made the best "Wicked" movie money could buy — well, it's... Read More