By David Bauder, Media Writer
NEW YORK (AP) --Americans stuck at home staring at fading furniture and wondering what to cook for dinner have been a boon for television networks like HGTV and the Food Network.
The Food Network's overall ratings in April were up 25 percent over the same month last year, while HGTV was up 22 percent, the Nielsen company said.
Both networks have adjusted programming in reaction to coronavirus shutdowns with more in the works. The Food Network's Guy Fieri has gotten takeout at some of his favorite dives, and other chefs are exploring how to be creative with what's in the pantry. HGTV is planning a show where new products are left on the doorway of people and design experts will judge how the family made use of them, said Kathleen Finch, chief lifestyle brand officer for the Discovery-owned networks.
"People are gravitating to our networks and talent because we provide more than entertainment right now," Finch said.
Stuck-at-home show hosts are also making use of camera equipment lent by their networks. Comic Amy Schumer is making a program that debuts Monday for the Food Network, "Amy Schumer Learns to Cook," that is being filmed by her nanny, Finch said.
HGTV hit paydirt this month with shows that featured Brad Pitt, Melissa McCarthy and other celebrities improving the living situations for people they know. The network is planning a show that will feature comics sitting around and commenting on episodes of "Househunters," Finch said.
Four Discovery-owned networks — TLC, HGTV, Discovery and the Food Network — were among the 10 most popular cable networks in primetime last week, Nielsen said.
While HGTV and the Food Network are popular primarily because of the environment they offer, TLC is being fueled by a single hit show: "90 Day Fiance," which films couples as they decide quickly whether or not to get hitched to qualify for a marital visa. Primarily because of that show, TLC's prime-time ratings in April jumped 47 percent from last year, Nielsen said.
Later this month, TLC is premiering a dating show, "Find Love Live," that depicts courtship in the quarantine era, Finch said.
CBS topped the broadcast networks in primetime last week, averaging 5.8 million viewers. ABC was second with 3.7 million, NBC had 3.6 million, Fox had 2.7 million, Univision had 1.6 million, ION Television had 1.2 million and Telemundo had 910,000.
Fox News Channel crushed the cable competition, averaging 3.69 million viewers in primetime. MSNBC had 1.78 million, CNN had 1.55 million, TLC had 1.302 million and HGTV had 1.3 million.
ABC's "World News Tonight" won the evening news competition, averaging 10.5 million viewers. NBC's "Nightly News" had 9.5 million and the "CBS Evening News" had 6.6 million.
For the week of April 27-May 3, the top 20 shows, their networks and viewers:
1. "Young Sheldon," CBS, 10.15 million.
2. "60 Minutes," CBS, 9.31 million.
3. "Blue Bloods," CBS, 8.52 million.
4. "NCIS," CBS, 8.4 million.
5. "Survivor," CBS, 8.1 million.
6. "The Masked Singer," Fox, 7.8 million.
7. "Magnum, P.I.," CBS, 7.21 million.
8. "FBI," CBS, 7.03 million.
9. "FBI: Most Wanted," CBS, 6.97 million.
10. "911," Fox, 6.81 million.
11. "The Voice," NBC, 6.68 million.
12. "Man With a Plan" (Thursday, 8:30 p.m.), CBS, 6.59 million.
13. "American Idol," ABC, 6.4 million.
14. "Who Wants to Be a Millionaire," ABC, 6.21 million.
15. "Man With a Plan" (Thursday, 9 p.m.), CBS, 6.08 million.
16. "The Conners," ABC, 5.96 million.
17. "MacGyver," CBS, 5.89 million.
18. "Seal Team," CBS, 5.76 million.
19. "Station 19," ABC, 5.58 million.
20. "America's Funniest Home Videos," ABC, 5.27 million.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More