By Jake Coyle, Film Writer
NEW YORK (AP) --Just when a party was poised to break out in movie theaters, the below-expectation debut of "In the Heights" dampened Hollywood's hopes of a swift or smooth recovery at the summer box office.
Jon M. Chu's exuberant adaptation of Lin-Manuel Miranda's Broadway musical opened with a modest $11.4 million, according to studio estimates Sunday. Forecasts had ranged from $15-$20 million. The release of "In the Heights" — a lavish song-and-dance musical accompanied by glowing reviews from critic s and considered a milestone movie for Latinos — was widely seen as a cultural event.
On opening weekend, though, the Warner Bros. release narrowly missed the top spot. Instead, "A Quiet Place Part II" edged it with $11.7 million in its third weekend of release. (It's close enough that the order could flip when final figures are released Monday.) On Friday, John Krasinski's thriller — playing only in theaters — became the first film of the pandemic to reach $100 million domestically. Its cumulative total is $109 million.
Sony's "Peter Rabbit 2: The Runaway," a film originally planned to open around Easter 2020, also opened softly, debuting with an estimated $10.4 million
After a string of good box office weekends, the opening of "In the Heights" was a reminder of the challenges of the marketplace. Most theaters are operating at reduced capacities to allow social distancing. Canada's theaters are largely closed. And getting crowds to come out for a movie that was simultaneously streaming on HBO Max, as "In the Heights" was, adds another complication.
Starring a mostly fresh-face cast including Anthony Ramos, Melissa Barrera, Corey Hawkins and Leslie Grace, "In the Heights" didn't have the star power of musicals such as "Mamma Mia!" to give it a boost. Miranda, who performed the lead on Broadway, ceded the part to Ramos. Miranda plays a minor role.
Instead, the film will depend on strong word of mouth (it received an "A" CinemaScore from audiences) to propel a long run in theaters. Its hopeful comparison would be a movie like 2017's "The Greatest Showman," which opened to $18.8 million but held firmly for months, ultimately grossing $174.3 million in the U.S. and Canada.
"We always thought that the movie has to do the heavy lifting," said Jeff Goldstein, distribution chief for Warner Bros. "Even though it came in at a lighter level than we had expected, we're proud of the movie that's there and over time the hope is that we can get an audience to sample the movie and tell their friends to."
Warner Bros., as is standard throughout the industry, didn't release viewing data for "In the Heights" on HBO Max. The studio's day-and-date approach, planned to last through the end of the year, has been much-debated. But previous Warner releases — particularly "Godzilla vs. Kong" (which managed a $32.2 million three-day opening in early April ) and last week's No. 1 film, "The Conjuring: The Devil Made Me Do It" ( a $24 million debut ) — performed solidly while also being available in the home. The "Conjuring" sequel added $10 million in its second weekend.
HBO Max, Goldstein said, couldn't be blamed for any disappointing results for "In the Heights."
"Our experience, which is backed up on 'In the Heights,' is that if the movie hits a high level in theaters, it hits a high level on the service," said Goldstein. "If it hits a low level in theaters, it hits a low level on HBO Max. They're really very comparable."
Last weekend, Disney's "Cruella" may have also made a somewhat muted arrival in theaters because it opened at the same time on Disney+, for $30. In its second weekend, "Cruella" earned $6.7 million, bringing its total to $56 million.
"In the Heights" had originally been set to open in June of last year. The studio and filmmakers, believing its impact would be felt most powerfully in theaters, opted to wait for cinemas to reopen. Ahead of release, Warner put its marketing weight behind the film. Oprah Winfrey hosted a virtual block party for the film. On Wednesday, the film opened the Tribeca Festival with a yellow carpet premiere and screenings scattered throughout New York.
Regardless of box office, "In the Heights" is the rare bigger-budget spectacle film to feature a predominantly Latino cast. Though Latinos make up one of the largest groups of regular moviegoers (accounting for as much as 29% of tickets sold) their representation in Hollywood is still a fraction of that. According to audience surveys, about 40% of the opening-weekend audience for "In the Heights" was Hispanic.
The director Chu has previously helmed a breakthrough release for Asian Americans in 2018's "Crazy Rich Asians," which opened to $26.5 million over three days and then kept a multi-week lock on the box office. Recalling that — or perhaps sensing that "In the Heights" wasn't going to debut like a blockbuster — Chu urged people to "vote with their wallets" by supporting the film.
"Even 'Crazy Rich Asians' you couldn't really tell. It was only the second weekend when people started coming back and the third weekend when people who didn't go to the movies started to come," said Chu a week ahead of release. "Buying tickets to this thing — putting your money where your mouth is — was the democratic statement that no studio could make up."
Director Mike Egan Joins Good Behavior
Good Behavior, the comedy commercial production outfit recently launched by director Pete Marquis and his partners Victoria Guenier and Adam Lawson, have brought Mike Egan on board as the company’s first director signing. This also happens to be Egan’s first signing for commercial representation; he has been helming spots freelance for almost four years. Egan has a deep affinity for oddball characters who find themselves in unusual circumstances. He likes capturing these characters with simple, yet dynamic images that let them shine through in all their glory and connect with audiences.
“The Good Behavior name is more than just a name,” said Egan. “The things they care about and the things I care about are like a Venn diagram, circles sitting atop one another. And I love the fact that their logo is a baby cherub smoking a cigarette!”
The last two or three years, whenever I found a piece of work out in the world that I loved, when I tried to find out who made it, all roads led to Pete. I’ve been biding my time for quite a while, being very deliberate about my career, building my reel, having lots of conversations in the business. I had faith that the right folks would find me. Good Behavior finally did.”
Marquis said, “After seeing Mike’s work, I got the sense he wasn’t out to make ads for ad’s sake. He’s not going for the easy laugh or cliche construct. His left of center point of view is on full display in his work. And still he’s able to impart originality in a way that enhances the concept without getting in the way of it. I want to see more of Mike’s work out there in the world. And I want to see more of Mike. I’m thrilled to have an excuse to make both those things happen.”
Egan developed his... Read More