The Motion Picture Sound Editors (MPSE) will honor Guillermo del Toro with its annual Filmmaker Award. The acclaimed director of such films as Hellboy (2004), Pan’s Labyrinth (2006), Pacific Rim (2013), Crimson Peak (2015) and the forthcoming The Shape of Water is being recognized for his outstanding contributions to the art of cinema. He will receive the award at the MPSE Golden Reel Awards ceremony February 19th in Los Angeles.
A master of horror, fantasy and science fiction, del Toro is a prolific and endlessly fascinating director, whose accomplishments also extend to screenwriting and producing. “Guillermo del Toro’s relentless imagination and energy provide inspiration to all of us in the entertainment industry,” said MPSE President Tom McCarthy. “He is constantly surprising, challenging and delighting audiences worldwide. We are extremely proud to recognize his contributions to our industry and culture with our Filmmaker Award.”
Past recipients of the MPSE Filmmaker Award include Sam Raimi, Darren Aronofsky, George Lucas, Ang Lee, Michael Bay, Steven Spielberg, Clint Eastwood, Brian Grazer and Gale Anne Hurd.
“Texturally and narratively, sound and image fuse in the cinematic experience,” said del Toro. “I have spent as much time on the mixing board as I have on a stage, shooting or in a color correction suite grading the final film. To paraphrase Mark Twain: ‘The difference between the almost right sound and the right sound ‘tis the difference between the lightning bug and the lightning.’ I am thus delighted and honored to receive this award from my colleagues and partners in the storytelling experience.”
Del Toro was born in Guadalajara, Mexico. Early in his career, he worked as a special effects makeup designer and made a number of short films. His first feature, Cronos, appeared in 1993. He has since directed a wide variety of films, from comic book adaptations (Blade II, Hellboy) to historical, fantasy and horror films, two of which are set in Spain in the context of the Spanish Civil War under the authoritarian rule of Francisco Franco. These two films, The Devil's Backbone and Pan's Labyrinth, are among his most critically acclaimed works.
Additionally, del Toro has produced many successful films including The Orphanage (2007), Julia's Eyes (2010), Biutiful (2010), Kung Fu Panda 2 (2011), Puss in Boots (2011) and Mama (2013). His first novel, "The Strain," was published in 2009.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More