Directors Julie Taymor, known for her work on the stage and in feature films, and Brad Furman, known for his gritty dramas and hip hop videos, have joined the spotmaking and branded content talent roster at Grand Large, the production house headed by owner/executive Steven Horton, and which maintains offices in New York and Paris.
Horton said he’s had his eye on these filmmakers for some time. “I’ve been chasing Julie for more than a year, and I finally caught up with her just when she felt ready and interested in doing some commercial work,” he notes. “And Brad was introduced by a feature film producer and mutual friend. I was impressed with his knowledge, awareness and interest in the advertising world. He has an instinct for good conceptual work and how to take it to the next level. Brad is ready to engage the market and bring his great eye, high energy level and clever storytelling skills to creative projects.”
Director, playwright, puppeteer and designer, Taymor is the creative force behind numerous high-profile stage productions, including the Broadway musicals “The Lion King” and “Spider-Man: Turn Off the Dark.” As a director, her feature credits include such highly stylized films as “Frida,” “Titus,” “Across the Universe” and “The Tempest.”
Taymor’s “The Lion King” made her a bona fide star, demonstrating her talents in many aspects of the theatrical arts. The show received 11 Tony Award nominations, winning for Best Direction and Best Costume Design, making Taymor the first woman to win the Tony Award for directing a musical. Her commercial work includes a campaign starring Selma Hayek, her “Frida” star, for Avon.
Furman's feature directorial credits include the dramas "The Lincoln Lawyer" (starring Matthew McConaughey) and "Runner Runner." He launched his feature career in 2008 with “The Take,” starring John Leguizamo, Tyrese Gibson and Rosie Perez. Furman's PSA for the Rape Abuse Incest National Network, “Unbroken,” was accepted to the Universal Studios/MVPA Director’s Cuts Film Festival. Furman also directed 50 Cent and G-Unit in a short film for their appearance at the British version of the Grammy Awards, “The Brits.” Furman's music-related work includes numerous music videos for a variety of hip hop stars and “Buried Alive in the Blues,” a documentary he wrote, directed and produced that features B.B. King, Buddy Guy, Sam Lay and other blues greats.
Both directors have been represented previously for advertising assignments, Taymor with Looking Glass and Furman with Prettybird. Their signing with Grand Large, Horton added, reflects a renewed commitment on the part of both to work with agencies and brands on a variety of content forms.
In addition, Horton reports that Grand Large director Jean-Pierre Jeunet is once again available for advertising assignments. Jeunet is the writer/director behind such films as “Amélie,” “The City of Lost Children” and “Delicatessen.” He’s collaborated with Horton for over a decade, after being introduced by his colleague Marc Caro, with whom he co-directed several of his feature films.
California Gov. Newsom Signs Laws To Protect Actors Against Unauthorized Use Of AI
California Gov. Gavin Newsom signed off Tuesday on legislation aiming at protecting Hollywood actors and performers against unauthorized artificial intelligence that could be used to create digital clones of themselves without their consent.
The new laws come as California legislators ramped up efforts this year to regulate the marquee industry that is increasingly affecting the daily lives of Americans but has had little to no oversight in the United States.
The laws also reflect the priorities of the Democratic governor who's walking a tightrope between protecting the public and workers against potential AI risks and nurturing the rapidly evolving homegrown industry.
"We continue to wade through uncharted territory when it comes to how AI and digital media is transforming the entertainment industry, but our North Star has always been to protect workers," Newsom said in a statement. "This legislation ensures the industry can continue thriving while strengthening protections for workers and how their likeness can or cannot be used."
Inspired by the Hollywood actors' strike last year over low wages and concerns that studios would use AI technology to replace workers, a new California law will allow performers to back out of existing contracts if vague language might allow studios to freely use AI to digitally clone their voices and likeness. The law is set to take effect in 2025 and has the support of the California Labor Federation and the Screen Actors Guild-American Federation of Television and Radio Artists, or SAG-AFTRA.
Another law signed by Newsom, also supported by SAG-AFTRA, prevents dead performers from being digitally cloned for commercial purposes without the permission of their estates. Supporters said the law is... Read More