By David Bauder, Television Writer
NEW YORK (AP) --The CBS drama “The Good Wife” is on pace to record its biggest audience in more than a year with a series finale that had more than a few of its loyal fans talking.
The Nielsen company said an estimated 10.6 million people watched Sunday’s finale. That is the show’s biggest audience on the night of its original airing since November 2014.
That finale left inconclusive the question of whether Alicia Florrick, played by series star Julianna Margulies, would divorce her pol husband and run off with her current lover. It also ended with a resounding slap, applied to Florrick by her law partner for exposing the affair of that woman’s husband in a court of law.
For a series widely regarded as broadcast television’s best drama, it was an ending that left many fans talking about their dissatisfaction online.
CBS said the show has been averaging 10.6 million viewers an episode this season, a number that includes an average of about 2.5 million people who watch on demand or on DVR up to a week after it is first show. By those averages, the finale’s viewership can expect to eventually exceed 13 million people.
It was a strong night for CBS, with about 10 million people also watching the title character of “Madam Secretary” receive an intriguing offer.
CBS easily won the week in prime time, averaging 7.9 million viewers. NBC had 5.5 million, ABC had 5.4 million, Fox had 2.7 million, Univision had 1.7 million, the CW had 1.5 million, Telemundo had 1.3 million and ION Television had 1.1 million.
TNT was the week’s most popular cable network, averaging 2.62 million viewers. Fox News Channel had 2.25 million, ESPN had 1.6 million, USA had 1.53 million and HGTV had 1.42 million.
NBC’s “Nightly News” topped the evening newscasts with an average of 8 million viewers. ABC’s “World News” was second with 7.9 million and the “CBS Evening News” had 6.7 million viewers.
Below are primetime viewership numbers compiled by Nielsen for May 2-8. Listings include the week’s ranking and viewership.
1. “NCIS,” CBS, 14.86 million.
2. “The Big Bang Theory,” CBS, 13.22 million.
3. “NCIS: New Orleans,” CBS, 12.56 million.
4. “Dancing With the Stars,” ABC, 11.81 million.
5. “The Good Wife,” CBS, 10.62 million.
6. “Blue Bloods,” CBS, 10.1 million.
7. “Madam Secretary,” CBS, 9.99 million.
8. “The Voice” (Monday), NBC, 9.97 million.
9. “Survivor,” CBS, 9.49 million.
10. “Empire,” Fox, 9.39 million.
11. “60 Minutes,” CBS, 9.21 million.
12. “Criminal Minds,” CBS, 8.84 million.
13. “The Voice” (Tuesday), NBC, 8.6 million.
14. “Hawaii Five-0,” CBS, 8.56 million.
15. “NCIS: Los Angeles,” CBS, 8.1 million.
16. “The Odd Couple,” CBS, 8.07 million.
17. “Mom,” CBS, 7.92 million.
18. “Chicago Fire,” NBC, 7.79 million.
19. “Grey’s Anatomy,” ABC, 7.76 million.
20. “Chicago Med,” NBC, 7.62 million.
Eleanor Adds Director Candice Vernon To Its Roster For Spots and Branded Content
Director Candice Vernon has joined production house Eleanor for U.S. representation spanning commercials and branded content. She has already wrapped several jobs at Eleanor, which waited to announce her until they had a body of work together.
Via Eleanor, Vernon made history as the first Black director on a Febreze commercial. The “Small Spaces” campaign marks a major departure from Febreze’s typical blue-and-white world. The home of the “Revolving Door” commercial is a beautiful array of bold sunset hues, African prints, and African art.
Vernon said, “I asked myself, what feels right to me? What feels new? I wanted to bring an essence of not just Black Americans but the full diaspora. I wanted to make a statement that we’re not a monolith.”
Following the success of the “Small Spaces” campaign, Febreze brought Vernon back for a comedy-infused trifecta exploring the hilarious situations that call for an air freshening hero.
Febreze Brand VP Angelica Matthews said, “About two years ago, we realized the consumers that were the most loyal to Febreze were the African American consumers. And the more we learned, the more we realized the richness that we were really missing. So we said we have to go beyond just Black casting, we need to get Black directors that truly understand the culture that truly understand how to bring authentic performances out on screen. We really looked around the industry and noticed there’s actually a shortage of African American directors who have experience doing commercials. When we all saw Candice’s reel, we could all tell the passion for the craft, passion for really trying to help us from where we are to where we’re trying to go.”
Vernon brings a unique lens to... Read More