Toronto-based director, producer, and photographer Leo Zuckerman has joined Golden LA for his first U.S. representation. His storytelling range is reflected in the lightning pace of his Toyota “Fun to Drive” spot and the nuanced touch of his documentary-style film for Indian Motorcycles featuring motocross legend Carey Hart. A passion for engineering and design is reflected in the precision of Zuckerman’s work. It was also the spark to an early affinity for editing, a process he understands fluently and weighs on markedly in his directorial approach.
For his “Letters” spot out of Team One, Zuckerman brings to life a visualization of the gratitude of Lexus customers, balancing the theme of human connection with artistry and technology. In the film, Leo captures the process of perceptual artist Michael Murphy as he transforms 2,000 thank you notes into a 3-D origami art installation, which from one side resembles a sedan, and from the other, the Lexus logo.
Originally hailing from Montreal, Zuckerman got his start making skate videos, using the first iterations of digital point-and-shoot video cameras. His interest matured and led him to film school, earning his BFA in Film Production from the University of British Columbia in Vancouver. Living at the foothills of the epic Coastal mountains fueled a deep love for the outdoors and pushed Leo into the world of big-mountain action sports filmmaking. Three of his early films, Elixir, Restless, and Above the Dust went on to become Vimeo Staff Picks.
In the wake, Zuckerman was courted by DDB Vancouver to direct his first award-winning ad campaign, “Dear Mum,” for the Canadian Tourism Commission, while he was still at university. Signing to Soft Citizen (where he continues to be repped in Canada), Zuckerman went on to make a name for himself in commercial advertising circles, creating captivating work for global brands including Hyundai, Samsung, Nike, Subaru, and Adidas.
Matthew Marquis, managing director at Golden, said, “Leo has the ability to ideate and conceive–to think of projects holistically. More and more in our market, we’re seeing boards that are a blend of genres and styles: one-third narrative, one-third automobile, one-third action sports. This hybrid of work is what Golden is all about. It’s also what Leo brilliantly delivers on. His approach to filmmaking breaks the traditional molds and propels us into the future.”
While his magnetism to the planet’s farthest reaches and most epic locations continues to power ongoing work for brands like Patagonia and Trek Bicycles, Zuckerman has seen his interests evolve to include a focus on narrative storytelling. “I’ve become fascinated with the interaction between humanity and technology.” A new long-format project, shared Zuckerman, is in the works. “It’s something I’m very excited about. An expression of an idea that’s been churning for a long time.”
The Golden LA studio is based in Venice.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More