Virtual production software company Glassbox Technologies has released its powerful and accessible virtual camera plugin DragonFly from private beta for public use. Teased during the company’s spring 2019 launch, DragonFly brings professional virtual cinematography tools to filmmakers and content creators everywhere, allowing users to view character performances and scenes within computer-generated virtual environments in real-time, through the camera’s viewfinder, an external monitor or iPad.
Available for Unreal Engine, Unity 3D and Autodesk Maya, DragonFly delivers an inclusive virtual cinematography workflow that allows filmmakers and content creators to make and test creative decisions faster and earlier in the process, whittling down production cost on projects of all scopes and sizes.
The powerful off-the-shelf toolkit takes creators from pre-viz to post-viz without the need for large teams of operators, costly hardware or proprietary tools. It is platform agnostic and fits seamlessly into any workflow out-of-box. With DragonFly, users can visualize and explore a CG virtual environment, then record, bookmark, create snapshots and replicate real camera movement as seamlessly as conducting a live-action shoot.
“Virtual production poses great potential for creators, but there were no off-the-shelf filming solutions available that worked out of the box,” noted Glassbox co-founder and CPO Mariana Acuña. “In response, we made DragonFly: a virtual window that allows users to visualize complex sets, environments and performances through a viewfinder. Without the need for a big stage or mocap crew, it brings greater flexibility to the production and post pipeline for films, animation, immersive content, games and real-time VFX.”
The product was developed in collaboration with top Hollywood visualization and production studios including The Third Floor for best-in-class results.
“Prior to DragonFly, each studio has created their own bespoke virtual production workflow, which is costly and time-consuming per project. DragonFly makes real-time virtual production usable for all creators,” said Evelyn Cover, global R&D manager for The Third Floor. “We’re excited to collaborate with the Glassbox team to develop and test DragonFly in all kinds of production scenarios from previs to post, with astounding success.”
Glassbox’s second in-beta virtual production software solution, BeeHive–the multi-platform, multi-user collaborative virtual scene syncing, editing and review solution–is slated to launch later this summer.
DragonFly is now available for purchase or can be downloaded for free as a 15-day trial on the Glassbox website. Pricing and licensing includes a permanent license option costing $750 USD (including $250 for the first year of support and updates) and an annual rental option costing $420/annum.
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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