Frederic Bonn has joined JWT New York as executive creative director. He comes over from Razorfish NY where he served in the same capacity. At JWT, Bonn will be charged with overseeing digital creative across the agency’s flagship New York office. His appointment comes on the heels of hiring Andy Carrigan and Jon Zast as executive creative directors in December, as well as a series of new business wins, including PUMA, Energizer personal care and Google.
“Here we are in 2014 and it seems almost backwards to be hiring an ECD for digital. The reality is that digital simply moves too fast to expect everyone to have the expertise brands demand. It is hard to imagine, but the next 10 years will dwarf the innovation we’ve seen from the last. In this evolving world of real-time marketing, platforms, newsrooms, apps, social, invention and whatever happened today—you need digital leaders who can help brands and agencies stay ahead of the pace and places digital is pushing. Frederic brings a selfless talent and wisdom that is too rare in this industry, but necessary to succeed,” said Jeff Benjamin, chief creative officer, JWT North America.
Bonn joined Razorfish in 2009 to broaden its output beyond website and technology development. He oversaw creative across all agency clients, including Mercedes-Benz, Citibank, UNIQLO, Ford, Smart Car and Morgan Stanley, and drove innovative efforts such as the world’s first tweet race for Mercedes-Benz and the first graphic novel written by and starring its readers for Axe Anarchy.
Prior to Razorfish, Bonn led the creative department of Ogilvy Interactive in Paris, managing global campaigns and digital strategy for clients including Louis Vuitton, Hennessy, Mattel, Cisco and American Express. His work for Louis Vuitton’s “Journeys” campaign was one of the first digital efforts for the historically traditional client and earned more than 40 awards worldwide. Throughout his career, he has held positions at Euro RSCG 4D London and New York, Interactive Bureau Paris, WB Associés and Influence, and was also a designer for Gallerie magazine.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More