Director
US Virgin Islands Film Office | www.filmusvi.com
1) We are accepting applications. The National Park Service may reverse decisions if things change.
2) We are following protocols put in place by our Department of Health and Department of Tourism. The precautions/restrictions traveling to the islands can be found at www.usviupdate.com
3) Safety for all crew, both visiting and local, definitely has a different look and meaning. Masks are required; daily temperature tests; social distancing….all the same protocols every film commission is mandating. Having a lot of open spaces works well in these times.
4) We are hoping that we are in an advantageous position because we are an American Territory and “close to home.” Our wide variety of locations and familiarity makes the US Virgin Islands an attractive place for filming in any format.
6) It’s about safety for all parties. Follow the protocols laid out by each jurisdiction, separate and apart from what should happen on set. Engage with the film commission as much as possible since details are constantly changing.
Review: Director John Crowley’s “We Live In Time”
It's not hard to spend a few hours watching Florence Pugh and Andrew Garfield fall and be in love. In "We Live In Time," filmmaker John Crowley puts the audience up close and personal with this photogenic British couple through the highs and lows of a relationships in their 30s.
Everyone starts to think about the idea of time, and not having enough of it to do everything they want, at some point. But it seems to hit a lot of us very acutely in that tricky, lovely third decade. There's that cruel biological clock, of course, but also careers and homes and families getting older. Throw a cancer diagnosis in there and that timer gets ever more aggressive.
While we, and Tobias (Garfield) and Almut (Pugh), do indeed live in time, as we're constantly reminded in big and small ways — clocks and stopwatches are ever-present, literally and metaphorically — the movie hovers above it. The storytelling jumps back and forth through time like a scattershot memory as we piece together these lives that intersect in an elaborate, mystical and darkly comedic way: Almut runs into Tobias with her car. Their first chat is in a hospital hallway, with those glaring fluorescent lights and him bruised and cut all over. But he's so struck by this beautiful woman in front of him, he barely seems to care.
I suppose this could be considered a Lubitschian "meet-cute" even if it knowingly pushes the boundaries of our understanding of that romance trope. Before the hit, Tobias was in a hotel, attempting to sign divorce papers and his pens were out of ink and pencils kept breaking. In a fit of near-mania he leaves, wearing only his bathrobe, to go to a corner store and buy more. Walking back, he drops something in the street and bang: A new relationship is born. It's the... Read More