By Lindsey Bahr, Film Writer
LOS ANGELES (AP) --"The Fate of the Furious" sped into first place at the box office again, leaving new thriller "Unforgettable" and historical drama "The Promise" in the dust.
Universal Pictures' eighth installment in "The Fast and the Furious" franchise earned $38.7 million in North American theaters over the weekend, down 61 percent from its debut, according to studio estimates Sunday.
The newcomers could not compete with the high-octane film, which had the biggest worldwide opening of all time last weekend. It has earned $908.4 million globally so far and is expected to cross $1 billion this week.
Holdovers dominated the charts on this quiet weekend in theaters. "The Boss Baby" took second place with $12.8 million, and "Beauty and the Beast" landed in third with $10 million.
Disney's animal documentary "Born in China" opened in fourth place, with $5.1 million from 1,508 locations. The two other new movies fared worse.
Warner Bros. thriller "Unforgettable," starring Katherine Heigl as a jealous ex-wife and Rosario Dawson as the new fiancee, opened at No. 7 with just $4.8 million. Critics were tough on the film, and audiences gave it a deathly C CinemaScore rating.
The directorial debut of longtime producer Denise Di Novi cost only $12 million to make, but the meager result still disappointed.
"Unfortunately, the movie just missed the intended audience," said Jeff Goldstein, Warner Bros.' president of domestic distribution. "We had higher expectations, and we're disappointed we didn't achieve them."
There is a silver lining for the studio. The buddy comedy "Going in Style," starring Morgan Freeman, Michael Caine and Alan Arkin, is chugging along after three weeks in theaters, taking fifth place with $5 million.
Meanwhile, the historical epic "The Promise," starring Oscar Isaac and Christian Bale, bombed with a mere $4.1 million from 2,251 theaters.
The movie delves into the mass killings of Armenians in Ottoman Turkey that many countries and most historians call genocide. Turkey still denies genocide, saying the deaths stemmed from civil unrest and war.
It's not a surprise the film, which was estimated to cost around $100 million to make, failed to gain traction, comScore senior media analyst Paul Dergarabedian said.
"It didn't really jump out as anything that would be a surprising box-office hit," Dergarabedian said. "But it wasn't really about the box office."
Made outside the studio system and distributed by Open Road Films, the point of "The Promise" was to raise awareness around a global event that many know nothing about, he said.
Celebrities from Kim Kardashian West to Cher promoted the film on social media. Its makers said they will donate all proceeds to nonprofits and intend to use the PG-13-rated film as an education tool in schools.
"It was a tough weekend in general for the newcomers," Dergarabedian said, noting that many moviegoers are likely saving up for "Guardians of the Galaxy Vol. 2," which hits theaters May 5.
"It's a quiet period," he added. "This is the interlude between the spring movie season and what promises to be the biggest summer movie season ever."
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1."The Fate of the Furious," $38.7 million ($163.4 million international).
2."The Boss Baby," $12.8 million ($30 million international).
3."Beauty and the Beast," $10 million ($22.9 million international).
4."Born in China," $5.1 million ($100,000 international).
5."Going in Style," $5 million ($4.6 million international).
6."Smurfs: The Lost Village," $4.9 million ($21.4 million international).
7."Unforgettable," $4.8 million ($1.7 million international).
8."Gifted," $4.5 million.
9."The Promise," $4.1 million.
10."The Lost City of Z," $2.1 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "The Fate of the Furious," $163.4 million.
2. "The Boss Baby," $30 million.
3. "Beauty and the Beast," $22.9 million.
4. "Smurfs: The Lost Village," $21.4 million.
5. "Mr. Pride vs Miss Prejudice," $7.7 million.
6. "Going in Style," $4.6 million.
7. "The Shack," $4 million.
8. "Ghost in the Shell," $3.7 million.
9. "Life," $3.4 million.
10. "A Chinese Odyssey Part Two: Cinderella," $3 million.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More