Famous Interactive, a division of Culver City-based The Famous Group, has built Young & Rubicam’s (Y&R) new global website: www.yr.com.
The interactive site features assorted noteworthy elements including an offbeat brand-battling wrestler game, “Contact Y&R” notes sent via the arcane yet at the same time charming means of homing pigeon to their intended recipients, movable refrigerator magnets, direct Flickr feeds allowing each of Y&R’s 186 offices to upload location pictures, and a fluid content playback capability.
The alluded to Flash game pits two Mexican wrestlers against one another, each representing a brand: Brand A and Brand B.
With Y&R creatives, Famous filmed actual Luchador wrestlers on a full-size professional ring built on location in front of Famous’ in-house greenscreen. Shooting with the RED Camera in 4K, director Joel Lava of Famous worked with Y&R creative artisans to choreograph several wrestling moves such as “Romper El Hielo,” “Style Clash” and the always crowd-pleasing “Suplex Sinistra.”
Famous then enhanced the campy, tongue-firmly-in-cheek mat-pounding moves with some well deployed computer-generated imagery.
The end result is a live-action and CG Flash video game intended to engage the user, through humor and entertaiment, in the advertising agency’s patented marketing techniques and approaches.
Famous and Y&R brought an innovative component to the “Contact Y&R” section with a live-action-shot pigeon handler and his professionally trained pigeons.
When the user clicks “Send Message,” composes his or her email and clicks “Send,” the pigeon handler steps out onto a composited urban rooftop and holds up the message, which is now re-printed on his paper.
He then walks over to the coop, pulls a pigeon from the corresponding category and attaches the message.
The pigeon is finally set free, flying in a hurry off screen. Famous shot the handler and pigeons on a green cyc wall with the RED camera at 4K.
Using After Effects and Flash, the site is able to track the message entered by the user so it transcribes exactly onto the handler’s corresponding piece of paper. This fine touch adds an personalized feel to the message relaying process.
Famous developed the website’s introduction using a combination of Flash and Flex on the front-end with a custom back-end content management system developed in ASP.NET and powered by a SQL Server database.
Led by Famous’ Michael Marina, the technical team managed to achieve Y&R’s goal of marrying the two sides of the business–creative and analytical–using a line that the user drags back and forth.
While the analytically inclined left side of the featured brain displays information about the agency and its work in text format, the creative right side encompasses a variety of interactive modules including the Luchador flash game, dynamic data visualizations corresponding to Y&R news articles, a refrigerator with movable magnets, Flickr-powered image galleries, and much more.
“Creating the dynamic data-visualizations for the news section was one of the most difficult components of the site,” said Marina who added that the mathematics “required to dynamically graph the information in such a stylized format was especially tricky.”
Nancy Aviram, who serves as Y&R’s executive director of content production, said that the Famous team had “both the technology and the talent to help us beautifully execute [and do justice to] our idea of left and right brain thinking.”
Aviram was part of an ensemble at Y&R that included such colleagues as creative director/art director Neil Heymann, and creative director/copywriter James Maravetz.
Oscar Nominees Delve Into The Art Of Editing At ACE Session
You couldn’t miss Sean Baker at this past Sunday’s Oscar ceremony where he won for Best Picture, Directing, Original Screenplay and Editing on the strength of Anora. However, earlier that weekend he was in transit from the Cesar Awards in Paris and thus couldn’t attend the American Cinema Editors (ACE) 25th annual panel of Academy Award-nominated film editors held at the Regal LA Live Auditorium on Saturday (3/1) in Los Angeles. While the eventual Oscar winner in the editing category was missed by those who turned out for the ACE “Invisible Art, Visible Artists” session, three of Baker’s fellow nominees were on hand--Dávid Jancsó, HSE for The Brutalist; Nick Emerson for Conclave; and Myron Kerstein, ACE for Wicked. Additionally, Juliette Welfling, who couldn’t appear in person due to the Cesar Awards, was present via an earlier recorded video interview to discuss her work on Emilia Pérez. The interview was conducted by ACE president and editor Sabrina Plisco, ACE who also moderated the live panel discussion. Kerstein said that he was the beneficiary of brilliant and generous collaborators, citing, among others, director Jon M. Chu, cinematographer Alice Brooks, and visual effects supervisor Pablo Helman. The editor added it always helps to have stellar acting performances, noting that hearing Cynthia Erivo, for example, sing live was a revelation. Kerstein recalled meeting Chu some eight years ago on a “blind Skype date” and it was an instant “bromance”--which began on Crazy Rich Asians, and then continued on such projects as the streaming series Home Before Dark and the feature In The Heights. Kerstein observed that Chu is expert in providing collaborators with... Read More