By Lindsey Bahr, AP Film Writer
Movies about astronauts and space are so often also about estranged fathers and sons. So it's a welcome respite that in the new film "Proxima," now available to rent on demand, the focus is on a mother, played by Eva Green, and her grade school age daughter, Stella, who she must leave behind for the opportunity to go to space.
It's a subtle yet powerful film from French director Alice Winocour and many have singled out Green's performance as one of her best.
Green spoke about the big issues "Proxima" addresses, from the guilt of being a working mother to sexism, and also how fun it is to play an astronaut. Remarks have been edited for clarity and brevity.
Q: What did you find interesting about this story?
Green: I thought it was an amazing love story. The connection that my character and her daughter have is very beautiful and very powerful. And to play a character who is constantly torn between her passion of being an astronaut and her love for her daughter was very appealing. And playing an astronaut is like a fantasy! It's very empowering. I love doing research on stuff like this. It was a good excuse to explore this world, which was completely unknown to me.
Q: The motherhood and work conundrum is a big one that this film tackles with a lot of nuance and empathy.
Green: I think lots of women will identify with this. And I don't know if the movie gives an answer, but lots of women are faced with the dilemma of having a high powered career or having a family. And it's always a bit taboo. It doesn't look very good to kind of abandon your children. I think this movie also encourages women that it's OK to be ambitious and to go against conventions and to pursue your dream. But there is always that enormous feeling of guilt, which is absolutely human and very complex.
Q: Was it personal for you or your director?
Green: (Alice) actually has a daughter who is the exact same age as the actress who plays Stella. So it came from her guts, this project. Even me, I don't have children and I understand this internal conflict. On another level, I have a dog and it is a big deal to leave him and do something for work.
Q: Was this something you talked to your mother (actor Marlène Jobert) about?
Green: We talked more about the fact that she was an astronaut and how cool it was. But I have a twin sister, and when we were born, my mom really slowed down her career to raise the kids.
Q: How did you prepare to play an astronaut? Did you get to meet any?
Green: Alice is very nerdy, a bit like me. She does lots of homework and she really wanted me to meet some astronauts and to go to the training center in Cologne and to train with some of the real trainers, Russian trainers in particular, one who was quite harsh on me because obviously I know nothing about being an astronaut. But it was quite comical.
It's amazing to see how passionate those guys are. They go back home and they work, work, work, work, work. When we were in Moscow at Star City there was this sense of loneliness. And sometimes I was like, 'Oh my god, poor them!' They have absolutely no life! But they love it. They love that sense of sacrifice and dedication for science. We met several French astronauts and we were like touching something sacred almost. There is something saint-like like about astronauts. They feel like they've seen the unknown. So it was a real treat.
Q: The film also explores the sexism she experiences at work. Did that ring true to what you saw?
Green: The women that I met were very ballsy and really, really strong. But we're not as strong as men. You have to wear the very heavy spacesuit and have stronger shoulders than normal women. You have to adapt to this world made by men for men. You have to constantly prove yourself. You have to train harder, work harder. You have to be a bit masochistic, basically.
Q: What was one of the most memorable things about this experience?
Green: What was very exciting was the travel to those very sacred places, like Star City. For me, my favorite thing ever was a military plane — you needed the visa and all of this and I felt I was entering another dimension like in "Star Wars."
“Heretic” and “Maria” Set As Red Carpet Premieres At AFI Fest
The American Film Institute (AFI) has announced that Heretic, the psychological thriller starring Hugh Grant, and Maria, based on the life of opera singer Maria Callas starring Angelina Jolie, will round out the Red Carpet Premieres section at this year’s AFI Fest. The Heretic Gala Screening will take place on Thursday, October 24, and the Maria Gala Screening will be held on Saturday, October 26. The complete Red Carpet Premieres section includes the world premieres of Music By John Williams, Robert Zemeckis’ Here, Wallace & Gromit: Vengeance Most Fowl and Clint Eastwood’s Juror #2. All Red Carpet Premieres will take place at the historic TCL Chinese Theatre. The full lineup for AFI Fest 2024 will be unveiled on October 1.
“At the heart of AFI Fest is an unwavering dedication to celebrating the best in global cinema--together,” said Bob Gazzale, AFI president and CEO. “We look forward to uniting artists and audiences once again to be inspired by the art form in a powerful sense of community.”
Heretic follows two young missionaries (Sophie Thatcher and Chloe East) who are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (portrayed by Grant), becoming ensnared in his deadly game of cat-and-mouse. The film is directed by Scott Beck and Bryan Woods and produced by Stacey Sher, Beck, Woods, Julia Glausi and Jeanette Volturno. The film will be released nationwide by A24 on November 8.
Directed by Pablo Larraín, Maria presents a tumultuous and beautiful depiction of one of the world’s most renowned artists and reimagines the legendary soprano in her final days in Paris, as Callas (Jolie)... Read More