Global production company Merman has signed Erica Dunton to its roster of commercial directors for representation in both the U.S. and overseas. Dunton is a prolific screenwriter, indie filmmaker and television series director whose most recent foray in commercialmaking was directing the high-profile and highly innovative, 23-episode “RomCommerce” branded series Add To Heart for Walmart, which was produced by Merman. Also recently, Dunton was nominated for the DGA Award recognizing Outstanding Directorial Achievement in a Comedy Series for the 2023 Ted Lasso episode “La Locker Room Aux Folles.” She was nominated for the same prize for the Ted Lasso episode “Rainbow” in 2022.
Having inherited an eye for cinematography–her father is BAFTA winning director of photography Joe Dunton BSC MBE and her two brothers also are working cinematographers–Dunton is much sought after for her superb technical craft as well as her reputation for being an actors’ director. She brings to every job a flair for collaboration with fellow creative artists, always allowing space for actors to play and nuanced performances to evolve.
“Erica’s got two major superpowers,” said Merman’s global managing partner Kira Carstensen. “First she communicates clearly and sets the stage for the performers and the crew and how they are going to do the dance together, and what everybody’s role is to get the scene. She creates an intimate environment complete with trust and total communication. Secondly, she’s a creator who understands the subtleties in a script and how to get the camera and performances to deliver the intent of a script. These are invaluable skill sets that are just as important in a two-hour feature film as a half-hour episodic, a three-minute Tik Tok clip or a thirty-second spot.”
Prior to joining Merman, Dunton was briefly repped for spots by Great Guns USA. Dunton’s achievements in independent feature filmmaking include her earliest Slam Dance premiere Find Love to her Sundance Audience Award-winning To.Get.Her to her latest inventive romancer Abigail Falls, a feature shot on an iPhone. Her television credits include the Dolly Parton anthology series Heartstrings for Netflix, the final three episodes of Amazon’s The Summer I Turned Pretty, multiple episodes of season 2 and 3 of Apple TV+’s Ted Lasso and season 1 and 2 of HBO’s Julia. Also multiple episodes of HBO’s Girls On The Bus, including the season finale, and multiple episodes of Peacock’s Vampire Academy and Apple TV+’s Bad Monkey starring Vince Vaughn.
“Joining Merman is a brand new homecoming for me,” said Dunton. “They play in the world of advertising and entertainment and the spaces in between and that is my long game plan, to continue creating commercials, television, features and branded content. Joining a traditional commercial production company just wasn’t in the cards. I needed a home that could utilize all of my skill sets, my ideating, writing, directing, showrunning, my ability to take on huge projects and uniting people across multiple disciplines. With Kira and the Merman team, I felt seen and understood as a fellow team player who has a strong vision and the ability to deliver on it. I look forward to a long and abundant collaboration with them.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
The one rule to follow is that... Read More