Black and Latino-owned production company opens with 5 directors
Executive producer Ramon Nuñez, better known as “Ra,” and director Jerry Digby, widely known as Digby, have launched Baby Lion Media, billed as the first Black and Latino-owned production company specializing in creating advertising content for agencies and brands.
Nuñez is an award-winning agency veteran who produced some of the industry’s most memorable ads when at CP+B, while Digby is a filmmaker and artist whose creative portfolio includes work as a stills photographer, animator and designer.
The company opens with four additional talents on its roster: narrative storyteller Didier, bilingual storyteller Angel Gracia, stills photographer turned director Lucia Iturbe and animator/designer Saxton Moore. It offers full concept through completion production and post capabilities encompassing not just traditional commercials and branded content but also digital, social, films, documentaries, music videos, experiential, AR/VR/MR/XR, promos, animation, motion graphics and design, much of which will be produced in collaboration with its Buenos Aires-based digital partner, Ketama Collective.
Baby Lion has also signed with Mary Knox and Shauna Seresin of Minerva for East Coast representation.
Baby Lion’s founders each bring 20 years’ experience in making ad content, with resumes that include tenures with major agencies and production houses and showreels with groundbreaking ads and campaigns for global brands.
Baby Lion Media has hit the ground running, with several major projects already under its belt, including a multicultural Google campaign out of the Miami-based boutique Lovers Not Haters (directed by Gracia), for which it handled all of the production, animation and post. It also produced a digital anti-poverty experience, “A Closer Look,” for the United Way of Greater Portland, which it co-created with The VIA Agency. Baby Lion has also recently produced work for Verizon, the NBA, Dove, AXE, Carvana and Jimmy Johns, and contributed to the successful launch of new video game company iiRcade.
Nuñez, an immigrant from the Dominican Republic, co-launches Baby Lion after a career in agency production. Most recently, he was director of production/ EP for multicultural shop the community. Prior to that he spent seven years as VP/executive integrated producer at Crispin Porter + Bogusky, where he led production for accounts like Domino’s, Best Buy, Microsoft, Infiniti, Fruit of the Loom and American Airlines. He got his start in the business as a jr. producer at Fallon, where he worked on the legendary BMW Films series.
Digby is a genuine polymath; a bilingual Air Force brat who grew up in the U.S., Asia and Germany, he’s worked in photography, animation and live-action production. This shows in his work, which ranges from ad campaigns to broadcast promos to entertainment content to print ads for such clients as Audi, Marvel, Nissan, ESPN, Verizon, Hasbro, 20th Century Fox, Dark Horse Comics and Got Milk?
Starting as a PA in New York, Digby worked his way up the production ladder, helped by his diverse background, life experience and determination. This led to work as a key PA on numerous shoots, during which time he worked closely with (and learned from) some of the industry’s top directors at such major production companies as Park Pictures, MJZ and RSA. Digby relocated to L.A. and became the creative assistant to director Marcus Nispel, who was with MJZ at the time.
Nuñez said of Baby Lion, “Our mission is to merge cultural insights, storytelling, technology and production at the highest levels of creativity.” Adopting what he and Digby call a “speedboat mentality,” they’re able to tap a wide network of production and creative talent in service to their clients, drawing from a pool of multiculturally diverse professionals who can assure that every project they handle rings true with authenticity and relevance. Said Nuñez, “We approach things from a different perspective.”
“We see ourselves as culturally fluid, which is a particularly valuable quality to own in this era of heightened sensitivity to a message’s style and tone,” added Digby. ”Consumers and brands alike are demanding that our industry reflects society. And diversity is in Baby Lion’s DNA.”
Creating opportunity
As minorities who’ve succeeded in the largely white world of general-market advertising, both Nuñez and Digby understand what Baby Lion Media represents. “We blazed trails in our careers when ‘diversity’ was just something being talked about, but had little tangible results,” said Digby. “Now we’re determined to create ways for more people to follow us.”
For example, faced with few directing opportunities from established production companies, Digby hustled to create his own, building a network of clients across genres and categories–people who were eager to work with him, either on a freelance or independent basis. Whether it was shooting still photography, designing graphic packages, directing live action or executive producing international productions, all of it contributed to get him to where he is today. Indeed, he says the twists and turns his career took “made me a better director and a better creative.”
Nuñez is proud of the fact that he’s worked for some of the most creative agencies in the industry. “And here at Baby Lion, Digby and I have combined our creative storytelling experiences to build something new,” he remarked. “We believe we’ll be able to simultaneously break new ground for our clients and open more doors for people like us.”
“Our industry needs to change,” agreed Digby. “Ra and I had to walk through our own doors, which is what you have to do if they don’t let you in. Now, with Baby Lion, it’s time for us to pave the way for others.”
After 20 Years of Acting, Megan Park Finds Her Groove In The Director’s Chair On “My Old Ass”
Megan Park feels a little bad that her movie is making so many people cry. It's not just a single tear either — more like full body sobs.
She didn't set out to make a tearjerker with "My Old Ass," now streaming on Prime Video. She just wanted to tell a story about a young woman in conversation with her older self. The film is quite funny (the dialogue between 18-year-old and almost 40-year-old Elliott happens because of a mushroom trip that includes a Justin Bieber cover), but it packs an emotional punch, too.
Writing, Park said, is often her way of working through things. When she put pen to paper on "My Old Ass," she was a new mom and staying in her childhood bedroom during the pandemic. One night, she and her whole nuclear family slept under the same roof. She didn't know it then, but it would be the last time, and she started wondering what it would be like to have known that.
In the film, older Elliott ( Aubrey Plaza ) advises younger Elliott ( Maisy Stella ) to not be so eager to leave her provincial town, her younger brothers and her parents and to slow down and appreciate things as they are. She also tells her to stay away from a guy named Chad who she meets the next day and discovers that, unfortunately, he's quite cute.
At 38, Park is just getting started as a filmmaker. Her first, "The Fallout," in which Jenna Ortega plays a teen in the aftermath of a school shooting, had one of those pandemic releases that didn't even feel real. But it did get the attention of Margot Robbie 's production company LuckyChap Entertainment, who reached out to Park to see what other ideas she had brewing.
"They were very instrumental in encouraging me to go with it," Park said. "They're just really even-keeled, good people, which makes... Read More