By Mark Kennedy, Entertainment Writer
NEW YORK (AP) --Anyone tuning into the new TV series "Motherland: Fort Salem" will find a few changes in the America depicted. For one thing, women are in charge of the military. For another, they're all witches.
Freeform's 10-episode first season is set in an alternate, present-day United States where magical women make up the armed forces and are fighting a shadowy terrorist threat. It's a TV show like no other. Think of "Charmed" mashed with "The Man in the High Castle."
It's the brainchild of creator and executive producer Eliot Laurence, who said the idea came to him years ago like a lightening bolt — witches plus military.
"I had not seen that. And who knows? In the history of fantasy writing, I'm sure many people have tackled this combo. But for me, it felt very new," he said.
In his world, witches ended their persecution 300 years ago by cutting a deal with the fledgling U.S. government — in exchange for fighting for their country, witches would no longer be burned at the stake.
"As a queer person, witches have always been a symbol of otherness for me," he said. And it was very appealing for me to create a world where these others who had previously been persecuted were the ones who were dutiful and patriotic."
It's an ambitious step from Laurence, whose last project was "Claws," a crime dramedy set in a Florida nail salon. He's always loved speculative fiction and is a big fan of both sci-fi writer Octavia E. Butler and "The Handmaid's Tale" creator Margaret Atwood.
"I'd always love that stuff, but I'd never tried it. I'd primarily written in the kind of darkly comedic world," he said. "So this was just sort of letting go in my internal nerd river of world-building and just having so much fun."
" Motherland: Fort Salem " follows three young women from basic training in combat magic to deployment on the front lines. It stars Taylor Hickson, Jessica Sutton and Ashley Nicole Williams.
The three young witches learn to work together to hone their raw magic, which includes control over weather and using their voices as a shield or to pierce through metal.
"I don't want this to become another teen show," Laurence said. "I don't want it to be a show about attractive young people with powers. It's so much deeper than that."
The three heroines are a mix of races, classes and sexuality, but in this America none of that matters. "In this world, little petty stuff like gay or straight or black — all of this stuff crumbles in the face of the fact of witchhood."
Creating this alternate reality gave Laurence a chance to rewrite American history. In this world, the emancipation of slaves took place much earlier, African American witches are the military elite and Native Americans have secured a lush swash of the nation along the Mississippi River.
"It's just about getting inside the terrible history of our country and kind of opening it up and looking at it in new ways," he said. "It's just fun to poke around and be provocative with that stuff."
Hickson calls Laurence "incredibly inventive" and had a million questions after reading the pilot. "I had to know more," she said. "I was really attracted to how 'Motherland' pushes boundaries. It's like history and these real, relevant issues had a love child."
Laurence originally thought his idea about a witch army might be fodder for a book. He wrote it in a diary form, with each young woman writing her story in alternate chapters. But he couldn't sell it.
A few years ago, executive producer Kevin J. Messick realized the TV landscape had changed and Laurence's concept would make a provocative series. The original book became the source material.
"He had five books in his head all mapped out so if this thing works, he's loaded with great ideas for a while," said Messick, calling Laurence a "genius." "The idea of strong young women fighting for America who have magical powers and it's dramatic — it feels weighty."
In his world, new witches are drafted into the military at 18 and serve for life. But there is a rebel faction in the society that believes conscription like this is a form of slavery and is waging a violent terrorist-style campaign.
Laurence has gotten incredibly specific in his world-building, even down to explaining that one sound weapon the witches use is "a site-specific rapid conjuration impact-absorbing shield created by layering two complicated seed sounds subvocally."
"I like making up magic," he explained, laughing. "I got some kind of nerd DNA where just those kinds of making up magical powers is just a very joyful place for me."
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowersโ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, โHis artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.โ
Johanna Cranitch, creative director, Barking Owl, added, โKris first caught my attention when he released his record โHeroes + Misfitsโ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More