By Lindsey Bahr, Film Writer
SAN DIEGO (AP) --Edward Snowden says that Oliver Stone's dramatization of his story is a "pretty accurate portrayal."
Snowden appeared live from Moscow via Google Hangouts Thursday night at Comic-Con following the first public screening of Stone's film, "Snowden," to answer audience questions and interact with the cast, including star Joseph Gordon-Levitt.
Speaking to a small audience comprised mostly of journalists, Snowden said there wasn't a lot of fictionalization in the film, which chronicles his life from 2004 to 2013, when he leaked classified security documents to the press.
"I don't think anybody looks forward to having a movie made about themselves, particularly someone who is a privacy advocate," Snowden laughed, but said that there was a "kind of magic" to the film and its potential ability to reach a large audience through narrative storytelling.
"I'm not an actor. I don't think anyone in politics is really charismatic enough to connect with people on issues that are so abstract," Snowden said. "But (actors) can reach new audiences in new ways and get people talking about things that they don't have time to read (or) to look for in the academic setting. By watching the lived experiences … and tying it back in that magic Oliver Stone moment, it was something that made me really nervous but I think it worked."
Gordon-Levitt said Snowden's public endorsement "means a lot."
Snowden also appears in the film as himself at the very end. While his demeanor in interviews is calm and composed, Stone found his acting to be less than natural.
"We did nine takes from several angles," Stone said, half laughing. "We got there eventually but it was a painful day."
In addition to looking at some of Snowden's mentors throughout his career, the film heavily focuses in on his relationship with girlfriend Lindsay Mills. Shailene Woodley plays Mills, who Stone said was represented poorly by the press.
"I think the media was very unfair to Lindsay at the time and treated her in a very condescending way," he said. He hopes that the film helps to redeem her in the public eye.
Out of necessity, the film takes some liberties with facts that aren't in the public record yet, including the pivotal moment when Snowden smuggles the classified files out of the NSA. Without spoiling how the filmmakers chose to dramatize that scene, Stone did reveal that it was actually Snowden's idea.
"It was a good idea and we ran with it," Stone said.
"Snowden," an Open Road Films release, leaks into theaters on Sept. 16.
SCHROM x Yacht Club and Be Electric Studios Launch Electric XR for Virtual Production
SCHROM x Yacht Club, a full-service live-action, tabletop, and postproduction company, has teamed with Be Electric Studios, a soundstage, equipment rental, and virtual production company, to launch Electric XR, a virtual production collective.
Industry veteran Thomas Rossano will lead the new venture, which provides advanced virtual production solutions across multiple facilities. He brings over 25 years of experience in live-action, tabletop, postproduction and talent curation to enhance Electric XR’s offerings as a resource for brands and agencies, as well as other production companies in need of virtual production solutions. Additionally Rossano continues to serve as EP at XR New York (XR-NY), a role he’s held since December 2022. SCHROM x Yacht Club originally established XR-NY to help provide XR services for third-party rentals. While XR-NY will continue to function independently for SCHROM X Yacht Club, it now operates under the Electric XR umbrella.
Rossano’s expertise spans producing live-action commercials, branded content, interactive and experiential content. In addition to leading Electric XR, he holds responsibilities at SCHROM x Yacht Club which include driving business development, collaborating with sales reps and expanding the company’s creative talent network. Rossano’s career includes serving as an exec producer at Hungry Man for about 11 years, right from that company’s inception. He then went on to become a partner at Station Film where he also had a lengthy tenure. Later he was a partner at PRISM. Then after the pandemic hit, he became a freelance EP for nearly two years, looking into opportunities in virtual production, which led him to XR NY and now Electric XR. Over the years, he has produced high-profile... Read More