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    Editors Mettler, Shevin Join /WILDCHILD/

    By SHOOTUpdated:No Comments2536 Views
    Richard Mettler (l) and Stuart Shevin

    Editors Richard Mettler and Stuart Shevin have joined /WILDCHILD/, the shop under the aegis of editor/owner Yvette Pineyro.

    Mettler, who had been working independently the past year, is a prolific editor of commercials, music videos, and motion pictures, having most recently completed the music video for Beyoncé’s single, “Mine,” featuring Drake and directed by Pierre Debusschere. Mettler has also worked with top U.S. and international production companies, spanning collaborations with directors Laurent Chanez, Sean Ellis, Tim Richardson, Joe Wright, Sean Thonson, Steve Ayson, Pierluca De Carlo and Anthony Atanasio. Other recent projects of note include spot work for Cartier, Nike, Mercedes-Benz, Cadillac, L’oreal, Maybelline, Volkswagen, Lenscrafters and Mastercard. He has also edited Sundance 2013 World Cinema Audience Award winner and BAFTA-nominated motion picture Metro Manila as well as the short films Brace and Tribeca Film Festival nominee Space Cadet. He cut Metro Manila and Space Cadet during his tenure (2011-’12) at editorial house jUMP.

    Shevin joins /WILDCHILD/ most recently from Beast Editorial. He has collaborated with such clients over the years as Toyota, Philips, Ford, Chevy, Navy and Discover Card. He has won numerous AICE (Association of Independent Creative Editors) and AICP Show (Association of Independent Commercial Producers) awards, most recently for his work on King Condoms’ “Protect Yourself” and Stopthetraffick.org’s “Hide and Seek.” Outside of his editorial work, Shevin directed the “Of Note” spec for The New York Times. Shevin been a board member and chapter president of the AICE for eight years.

    Category:News
    Tags:Richard MettlerStuart ShevinWILDCHILD

    Director Kacper Larski Joins RSA Films For Spot Representation

    Tuesday, November 12, 2024

    RSA Films has added director Kacper Larski to its roster for commercial representation in the U.S. Larski is known for his work in automotive and sport, and a style of filmmaking which features epic visuals and gripping montage, often combining the real and surreal. Among his most recent commercial films are Garmin’s “Fenix 8” (direct to brand), U.S. Army Reserve’s “Helper” (DDB Chicago) and Bushmills Whiskey’s “Follow No One” (Mekanism). He’s also directed campaigns for Hyundai, Jeep, GMC, Subaru, VW, Mazda and Chevrolet.

    Larski’s distinctive aesthetic emerged in one of his first projects, Land Rover’s “68 Years Later,” which won a Cannes Young Directors Award in 2016. Two years later, he directed the “Greatness is Rare” campaign for BBDO Toronto and the Canadian Paralympic Committee which won Cannes Lion Gold. Prior to joining RSA, Larski had most recently been repped in the U.S. market by production house Eleanor.

    “The camera and film for me have always been about the ability to live 1,000 lives,” Larski said. “Stylistically, I want to transport viewers in whatever stories I’m telling--a super athlete’s runner’s high, a skier’s dream powder, a giant’s tale, even driving in space.”

    “Kacper is one of the most exciting filmmakers I’ve seen over the last several years,” said Luke Ricci, president, RSA Films US. “Whether it’s a character, an emotion, an environment, car or other product, he has a special and distinctive way of capturing and articulating the world around him in all his work. He is a fantastic addition to our RSA family.”

    “Joining RSA is a dream come true,” Larski said. “The roster includes some of the best filmmakers in the world, with founder Ridley Scott... Read More

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