By Andrew Dalton, Entertainment Writer
LOS ANGELES (AP) --You're a mean one — and you're number one — Mr. Grinch.
"Dr. Seuss' The Grinch" sledded past mixed reviews and made off with $66 million for Universal Pictures to top the weekend North American box office, according to studio estimates Sunday.
Last week's top film, the Queen biopic "Bohemian Rhapsody," drops to second for 20th Century Fox with a $30.8 million weekend that brings its overall take to $100 million.
Illumination, the Universal-owned animators behind "The Minions" and "Despicable Me," produced the latest interpretation of Seuss' 1957 book that led to a 1966 TV special and first came to the big screen as a live-action feature starring Jim Carrey in 2000.
Paramount Pictures' war-horror hybrid "Overlord" was third in its first weekend with $10.1 million. Disney's "The Nutcracker and the Four Realms" brought in $9.5 million and finished fourth in its second week. The weekend's other major debut, "The Girl in the Spider's Web," made just $8 million and finished fifth.
Illumination's "Grinch," narrated by Pharrell Williams, gives the title character, voiced by Benedict Cumberbatch, a backstory in an orphanage and fills out the story of his foil Cindy Lou Who.
It's the second Seuss adaptation for Illumination. Its version of "The Lorax" opened with a comparable $70 million weekend and went on to gross $348.8 million worldwide.
"The Grinch" was widely expected to be No. 1 with few other major openings this weekend, but it surpassed projections that had it bringing in closer to $60 million, continuing what's become a trend in 2018.
"'The Grinch' is just the latest in a string of over-performers," said Paul Dergarabedian, senior media analyst for Comscore. "'Bohemian Rhapsody' was bigger than expected, 'A Star Is Born' was bigger than expected. It's fueling a box-office surge."
The industry has reached a cumulative box office total of $10 billion faster than in any other year, Dergarabedian said.
The Christmas theme of "The Grinch" could sustain it through the holidays and Universal hopes it has a longer life than that.
"With Thanksgiving coming, we're poised to have a great run through that," said Jim Orr, president of domestic distribution for Universal. "Illumination's created such a classic take on this beloved character that audiences will be enjoying it for a really long time."
But big rivals loom soon, including "Fantastic Beasts: The Crimes of Grindelwald" next week and "Ralph Breaks The Internet" on Nov. 21.
"We've got a lot of competition coming up for family audiences," Dergarabedian said.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday also are included. Final domestic figures will be released Monday.
1. "Dr Seuss' The Grinch," $66 million ($12.7 million international).
2. "Bohemian Rhapsody," $30.8 million ($63 million international).
3. "Overlord," $10.1 million, ($9.2 million international).
4. "The Nutcracker and the Four Realms," $9.5 million, ($13.5 million international).
5. "The Girl in the Spider's Web," $8 million, ($6.2 million international).
6. "A Star Is Born," $8 million ($9 million international).
7. "Nobody's Fool," $6.5 million.
8. "Venom," $4.8 million ($118.2 million international).
9. "Halloween," $3.8 million ($5.9 million).
10. "The Hate U Give," $2 million.
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Venom," $118.2 million.
2. "Bohemian Rhapsody," $63 million.
3. "The Nutcracker and the Four Realms," $13.5 million.
4. "Dr Seuss' The Grinch," $12.7 million.
5. "Detective Conan: Zero the Enforcer," $12.4 million.
6. "Intimate Strangers," $9.2 million.
7. "Overlord," $9.2 million.
8. "A Star Is Born," $9 million.
9. "The Girl in the Spider's Web," $6.2 million.
10. "Halloween," $5.9 million.
Rom-Com Mainstay Hugh Grant Shifts To The Dark Side and He’s Never Been Happier
After some difficulties connecting to a Zoom, Hugh Grant eventually opts to just phone instead.
"Sorry about that," he apologizes. "Tech hell." Grant is no lover of technology. Smart phones, for example, he calls the "devil's tinderbox."
"I think they're killing us. I hate them," he says. "I go on long holidays from them, three or four days at at time. Marvelous."
Hell, and our proximity to it, is a not unrelated topic to Grant's new film, "Heretic." In it, two young Mormon missionaries (Chloe East, Sophie Thatcher) come knocking on a door they'll soon regret visiting. They're welcomed in by Mr. Reed (Grant), an initially charming man who tests their faith in theological debate, and then, in much worse things.
After decades in romantic comedies, Grant has spent the last few years playing narcissists, weirdos and murders, often to the greatest acclaim of his career. But in "Heretic," a horror thriller from A24, Grant's turn to the dark side reaches a new extreme. The actor who once charmingly stammered in "Four Weddings and a Funeral" and who danced to the Pointer Sisters in "Love Actually" is now doing heinous things to young people in a basement.
"It was a challenge," Grant says. "I think human beings need challenges. It makes your beer taste better in the evening if you've climbed a mountain. He was just so wonderfully (expletive)-up."
"Heretic," which opens in theaters Friday, is directed by Scott Beck and Bryan Woods, co-writers of "A Quiet Place." In Grant's hands, Mr. Reed is a divinely good baddie — a scholarly creep whose wry monologues pull from a wide range of references, including, fittingly, Radiohead's "Creep."
In an interview, Grant spoke about these and other facets of his character, his journey... Read More