By Jake Coyle, Film Writer
NEW YORK (AP) --Moviegoers drained by the drama of the presidential election sought refuge at the movies over the weekend, where ticket sales were robust for just about everything.
Marvel's "Doctor Strange" led the North American box office for the second week with $43 million, according to studio estimates Sunday. That was an especially strong hold for the Benedict Cumberbatch-led superhero blockbuster, which is now nearing $500 million globally. "Trolls," the musical animated release from 20th Century Fox with Anna Kendrick and Justin Timberlake, also held well in its second week with $35.1 million, bringing its cumulative domestic total to $94 million.
Denis Villeneuve's science-fiction thriller "Arrival," starring Amy Adams, scored the weekend's top debut with a better-than-expected $24 million for Paramount Pictures. Opening in fourth was Universal Pictures' "Almost Christmas," the first holiday-themed release to hit theaters. The family gathering comedy, starring Danny Glover and Gabrielle Union, debuted with $15.6 million.
The weekend box office was up about 47 percent from last year, according to comScore. The Friday holiday of Veteran's Day also helped stoke business. Paul Dergarabedian, senior media analyst for comScore, said the wide variety of releases gave moviegoers plenty of choice for escapism over the postelection weekend.
"In the first weekend after the election, I think it's clear that people find being able to go to the movie theater is the perfect antidote to the election coverage," said Dergarabedian. "There's almost nowhere else that you can unplug the way you can when you go to the movie theater."
The good showing for "Arrival," which cost $47 million to produce, was a welcome relief for Paramount. The studio has endured a string of disappointments — including "Ben-Hur" and "Teenage Mutant Ninja Turtles: Out of the Shadows" — with a relatively thin slate of releases.
Paramount paid $20 million for the film's domestic distribution rights. The film, in which a linguist is tasked by the government to communicate with newly arrived aliens, has drawn good reviews from critics.
Ang Lee's Iraq War hero drama "Billy Lynn's Long Halftime Walk" also made its much awaited debuted, albeit on just two screens. The Sony Pictures release, which opens nationwide next week, grossed $120,300 from two theaters (one in New York, on in Los Angeles). The two locations are the only places in North America the film is screening in Lee's innovative 120 frames-per-second version (five times the normal rate), in addition to being in 3-D and at 4k resolution.
Playing in more traditional formats, it got off to a good start in China, where "Billy Lynn" opened with $11.7 million.
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.
1. "Doctor Strange," $43 million ($60.2 million international).
2. "Trolls," $35.1 million ($18.3 million international).
3. "Arrival," $24 million ($10 million international).
4. "Almost Christmas," $15.6 million.
5. "Hacksaw Ridge," $10.8 million ($3.7 million international).
6. "The Accountant," $4.6 million ($7.6 million international).
7. "Shut In," $3.7 million.
8. "Tyler Perry's Boo! A Madea Halloween," $3.6 million.
9. "Jack Reacher: Never Go Back," $3.3 million ($8.6 million international).
10. "Inferno," $3.3 million ($8.6 million international).
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to comScore:
1. "Doctor Strange," $60.2 million.
2. "Trolls," $18.3 million.
3. "Billy Lynn's Long Halftime Walk," $13.2 million.
4. "Arrival," $10 million.
5. "One Piece Film: Gold," $10 million.
6. "Inferno," $8.6 million.
7. "Jack Reacher: Never Go Back," $8.6 million.
8. "The Accountant," $7.6 million.
9. "Oujia: Origin of Evil," $6.3 million.
10. "The Girl on the Train," $6.3 million.
Review: Malcolm Washington Makes His Feature Directing Debut With “The Piano Lesson”
An heirloom piano takes on immense significance for one family in 1936 Pittsburgh in August Wilson's "The Piano Lesson." Generational ties also permeate the film adaptation, in which Malcolm Washington follows in his father Denzel Washington's footsteps in helping to bring the entirety of The Pittsburgh Cycle — a series of 10 plays — to the screen.
Malcolm Washington did not start from scratch in his accomplished feature filmmaking debut. He enlisted much of the cast from the recent Broadway revival with Samuel L. Jackson (Doaker Charles), his brother, John David Washington (Boy Willie), Ray Fisher (Lymon) and Michael Potts (Whining Boy). Berniece, played by Danielle Brooks in the play, is now beautifully portrayed by Danielle Deadwyler. With such rich material and a cast for whom it's second nature, it would be hard, one imagines, to go wrong. Jackson's own history with the play goes back to its original run in 1987 when he was Boy Willie.
It's not the simplest thing to make a play feel cinematic, but Malcolm Washington was up to the task. His film opens up the world of the Charles family beyond the living room. In fact, this adaptation, which Washington co-wrote with "Mudbound" screenwriter Virgil Williams, goes beyond Wilson's text and shows us the past and the origins of the intricately engraved piano that's central to all the fuss. It even opens on a big, action-filled set piece in 1911, during which the piano is stolen from a white family's home. Another fleshes out Doaker's monologue in which he explains to the uninitiated, Fisher's Lymon, and the audience, the tortured history of the thing. While it might have been nice to keep the camera on Jackson, such a great, grounding presence throughout, the good news is that he really makes... Read More