The parents of an assistant propmaster killed in an accident during the filming of “The Kingdom” have sued director Peter Berg, seeking reimbursement of funeral expenses and other damages.
Berg was traveling in a sport utility vehicle in August 2006 when it collided with a golf cart-sized vehicle on a road near Mesa, Ariz. The impact killed Nick Papac, who was working on the closed set of “The Kingdom,” an action thriller starring Jaime Foxx and Jennifer Garner.
Papac’s parents, Mike Papac and Michele Bell, filed suit against the director, a driver and a production company in Los Angeles Superior Court on Wednesday. They are asking for an unspecified amount that would include the costs of the funeral, lost earnings and medical expenses.
The film had just finished shooting for the day on a closed stretch of highway on the far eastern side of metropolitan Phoenix when Papac, 25, was struck. A statement released by the filmmakers at the time said that Papac collided with Berg’s SUV and was attended to by paramedics for Universal Pictures/Forward Pass. He later died at a hospital.
Berg’s attorney did not immediately return a call seeking comment Thursday morning.
Mike Papac is a longtime Hollywood propmaster. Studio officials said at the time of the accident that he was at his son’s side at the time of his death.
His attorney declined to discuss specifics about the case, saying it was still in its early stages.
Berg, whose directing credits include this summer’s blockbuster “Hancock” and previous films such as “Friday Night Lights,” was not injured in the crash.
Ron Cicero and Bo Clancey Launch Production House 34North
Executive producers Ron Cicero and Bo Clancey have teamed to launch 34North. The shop opens with a roster which includes accomplished directors Jan Wentz, Ben Nakamura Whitehouse, David Edwards and Mario Feil, as well as such up-and-coming filmmakers as Glenn Stewart and Chris Fowles. Nakamura Whitehouse, Edwards, Feil and Fowles come over from CoMPANY Films, the production company for which Cicero served as an EP for the past nearly five years. Director Wentz had most recently been with production house Skunk while Stewart now gains his first U.S. representation. EP Clancey was freelance producing prior to the formation of 34North. He and Cicero have known each other for some 25 years, recently reconnecting on a job directed by Fowles. Cicero said that he and Clancey “want to keep a highly focused roster where talent management can be one on one--where we all share in the directors’ success together.” Clancey also brings an agency pedigree to the new venture. “I started at Campbell Ewald in accounts, no less,” said Clancey. “I saw firsthand how much work agencies put in before we even see a script. You have to respect that investment. These agency experiences really shaped my approach to production--it’s about empathy, listening between the lines, and ultimately making the process seamless.” 34North represents a meeting point--both literally and creatively. Named after the latitude of Malibu, Calif., where the idea for the company was born, it also embraces the power of storytelling. “34North118West was the first GPS-enabled narrative,” Cicero explained. “That blend of art and technology, to captivate an audience, mirrors what we do here--create compelling work, with talented people, harnessing state-of-the-art... Read More