FANCY Content has added Sophy Holland to its directorial lineup. This marks Hollandโs first representation agreement with a U.S. production house. A member of FreeTheBid, she is also the first woman director signed to the companyโs roster.
Launching her career in the U.K. as an art director, Holland moved to New York a dozen years ago and segued into working with top photographers and filmmakers, which set the stage for her own career pivot into motion and still shooting. Hollandโs work covers a wide range of styles and genres, from pure fashion and beauty to documentary, narrative and portraiture. Her print and film clients include brands like Swarovski, Stella Artois, Pfizer, Elizabeth Arden, Estee Lauder and Tory Burch, and her portfolio also features provocative editorial work for publications such as Vogue, Harperโs Bazaar, ESPN Magazine, Elle, Interview, Diva and Inked.
Holland started her career with the global agency Select Worldwide, art directing TV and print campaigns and working on a mix of editorial and advertising projects. From Select she joined the studio of the acclaimed photographer Norman Jean Roy as creative director, which is where she began to shoot her own material. She made her directorial debut with the riveting 2014 short film Brace, which depicts a harrowing story of gay and trans youth in London resisting gang violence. The film has been shown in dozens of festivals around the world and hailed for its educational value.
Since launching her film career, Holland has directed a mixture of advertising and humanitarian-oriented projects. Most notably, she directed a series of promos celebrating Womenโs History Month for BET Networks, which was honored with a Gold Promax Award. And her work for the Tory Burch Foundationโs #EmbraceAmbition PSA, which tackled the negative stigma of the word โambitionโ for women, featured over 40 celebrities, ranging from Gwyneth Paltrow, Kerry Washington and Reese Witherspoon to Jon Hamm, Chris Pine, Billie Jean King, Anna Wintour, Sheryl Sandberg, Melinda Gates and Tina Brown.
She also directed a feature-length documentary, Illustrated Man, on the history of tattoo culture and how it has collided with fashion in current day society, as well as Unraveling the Pink Ribbon, a short documentary for Estee Lauder on the history of the Breast Cancer Research Foundation Breast Cancer Awareness pink ribbon campaign.
โI came across Sophyโs work and I was struck by the its fresh, unique feeling,โ said FANCY Content founder and EP Robert Wherry. โSheโs really more of a storyteller than a pure fashion and beauty imagemaker, and thatโs where we see her going as a director.
โWeโre excited to be able to add a woman of such great talent and impeccable taste to our directorial roster,โ Wherry continued. โHer film for Inked, about breast cancer survivors, moved me deeply. And her work on films like Braces and Illustrated Man shows sheโs not afraid to go after controversial stories.โ
Holland shared, โI signed with FANCY because Robert shared my passion, tenacity and work ethic. I liked that it was a relatively compact roster, too, and that my style and aesthetic occupies a unique place. I also like the fact that Iโm the first woman to be represented by his company, which is fitting, as heโs a vocal advocate for womenโs social projects.โ
Hollandโs approach to working with women, as evidenced by her films for Tory Burch and Elizabeth Arden, reveals her preference โfor projects that celebrate them, that donโt objectify or degrade them. I want every person in front of my camera, whether in still or motion, to feel their most comfortable and beautiful. If they donโt, Iโve failed as an artist. In my beauty work, itโs all about showing the true emotion and confidence exuding behind the face, and in my more raw work, I want to still show these people in a heroic and celebratory light.โ