Attributes film's success in large part to the universality of Haruki Murakami's original short story
By Mari Yamaguchi
TOKYO (AP) --Japanese director Ryusuke Hamaguchi says he was surprised by the international popularity of his Oscar-winning film "Drive My Car," but attributes it to the universality of the short story by Haruki Murakami on which it is based.
The movie centers on an actor played by Hidetoshi Nishijima who is directing a multilingual production of Chekhov's "Uncle Vanya." Still mourning the sudden loss of his wife, the actor, Kafuku, leads the cast in rehearsals in which they sit and read their lines flatly, ingesting the language for days before acting them out.
The 3-hour-long story of grief, connection and recovery won an Academy Award last month for best international feature film.
"Actually I was surprised by how widely this film has been accepted," Hamaguchi said at a news conference in Tokyo on Tuesday, his first major event since the Oscar.
While attributing its popularity to the universality of Murakami's story, Hamaguchi said the actors "put it on the screen in a very convincing way, even though I'm sure it was an extremely challenging task for them to embody Haruki Murakami's worldview."
The "inner reality" of the characters in the story is both the charm and difficulty of turning Murakami's story into visuals, Hamaguchi said.
"Describing inner reality … is something movies are not very good at," Hamaguchi said. So he decided not to trace the written language of the original story. "The more attractive a story is, the harder it is for visuals to surpass the images already formed in the minds of readers," he said.
Hamaguchi said he decided to visualize the core of the story — the relationship between Kafuku and his much younger driver Misaki — who has also suffered the loss of her mother in a mudslide — which gradually deepens through their conversations in his beloved red Saab, one of few colorful items in the movie.
The film combines the inner worlds of Murakami and Chekhov and reflects their similarities, Hamaguchi said.
Conversations between Kafuku and Misaki contrast with those of Vanya and Sonya in "Uncle Vanya," and when Kafuku acts as Vanya during the performance, he comes to realize his own inner words toward recovery.
"So I found 'Drive My Car' and 'Uncle Vanya' wonderfully intertwined as if they translated each other," Hamaguchi said.
Hamaguchi said he wanted to thank Murakami at the Oscar awards ceremony but missed the chance because his "thank you" after giving a long list of actors' names was misunderstood as the end of his speech.
"I still wanted to thank Murakami-san and my staff," he said.
Hamaguchi's films, which include the anthology "Wheel of Fortune and Fantasy" released last year, are acclaimed, but he was not widely known in Hollywood before an award for best screenplay at last year's Cannes Film Festival brought attention to "Drive My Car."
Hamaguchi said international audiences now see Asia as a source of interesting films, and he hopes his fellow filmmakers can create movies that can "pierce through the hearts of audiences" and live up to their expectations.
His goals for his next film? "I just want to be able to say I made one that is a little better than my previous one," Hamaguchi said.
The Many Hires Jeremiah Wassom As Group Creative Director
Independent agency The Many has added Jeremiah Wassom as group creative director.
Wassom most recently worked a decade at Deutsch LA where, as SVP/creative director, he led the Taco Bell account and won new business for the agency. His agency past also includes AKQA and TBWAChiatDay. His creative work has touched the QSR, video games, automotive, fashion, and culture brand sectors. He also served eight years with the United States Marine Corps.
“Throughout his career, Jeremiah has helmed work that has not only made me personally jealous but has consistently pushed brands to show up in memorable and innovative ways,” said Josh Paialii, head of creative at The Many. “One look at his body of work and you will see his passion for storytelling and craft has raised the bar for entire categories, driving participation with many brands’ most loyal fans. Beyond being a world-class creative director and maker, Wassom is a proven team player and strategic thought leader. He’ll be a great addition to the leadership team at The Many working across all accounts. His role will be immediately felt as he guides and supports each of the creative leads in the department.”
A 20-year creative with agency, brand, and freelance experience, Wassom has forged a creative approach which focuses on crafting engaging connections rather than simply make ads. He sees the need for advertising to mean more, not simply do more.
The Many believes that true business growth is made possible by harnessing the power of participation and partners with brands to forge deeper connections with consumers, cultivate trust and loyalty, and maximize marketing spend and execution. The agency is built around a flexible model that offers a suite of capabilities, including... Read More