Ole Peters, a German director who’s managing partner and executive creative director at Hamburg-based hybrid production studio Sehsucht, has joined Interrogate–the shop with bases of operation in L.A., NY and Sydney–for his first career spot and branded content representation in the U.S. as well as Australia.
Sehsucht is a leading shop in Europe’s VFX, production and animation landscape. Earlier this year Peters directed via Sehsucht a CG/live-action film, “Stronger Than Time,” for the new Mercedes-Benz G-Class out of Berlin-based ad agency antoni. “Stronger Than Time” earned inclusion into SHOOT’s ScreenWork section.
Peters grew up on an island off the north coast of Germany. In that idyllic environment, he grew passionate about photography, design, and typography. This love for aesthetics became an addiction, and with increasing frequency he would travel to any big city with an exhibition focused on his chosen topics. Peters began freelancing as a graphic designer in the print industry, which led him to broadcast design. There he became a design pioneer in the use of Adobe After Effects (he even wrote a 500-page technical book about it).
Peters bounced around, working for German television stations and postproduction companies. Noticing a void of motion design services for agencies and clients, he co-founded Labor TV to meet that need. In 2003, Labor TV merged with Matin Woelke’s Sehsucht, where Peters made his mark.
Peters’ VFX background gives him a unique perspective when it comes to creating atmosphere and building visually stunning worlds. Describing CGI, Peters said, “I can create scenes exactly as I imagine them—without limitations. I can lead the audience into unseen environments or supplement and transform real worlds.” On adding live action into the equation, he related, “Nothing can compare with the element of human expression. Following dialogue, human movement, playing with characters—it opens up another realm of opportunities for creating.”
Because of this dual perspective, Peters’ work is visually complex. He enjoys conceiving landscapes that haven’t existed before. That’s reflected in the aforementioned “Stronger Than Time” in which the camera dives into a piece of amber, and then seamlessly transitions 40 million years into the future. Smoothly switching between live action and CGI, Peters creates a spot that bridges time itself, highlighting the Mercedes as an iconic piece of machinery.
Peters’ reputation as a human swiss-army knife has led to work for such clients as Audi, Chevrolet and IWC Schaffhausen, among others. Peters’ work has won numerous awards, starting with the Cannes Gold Lion he won for an animated Mercedes-Benz convertible spot. He also frequently serves on the jury of distinguished award shows, including the Clios and ADC Germany.
Interrogate EP and Partner George Meeker said, “With Ole, you get this one-stop shop—a wildly creative director who has a deep wealth of CGI and VFX experience, plus access to a killer production house in Germany. It’s rare the same person who directs a spot can also execute the visual effects, and Ole produces these fully-realized, bespoke visions from beginning to end.”
When Peters was introduced to the Interrogate team, he was instantly impressed. He said of the company, “Their selectiveness with their roster shows how one-on-one they are with their talent, and how they are able to support them with passion and focus. I felt well understood, and in turn, I understand their perspectives and aims, and how uniquely they look at the bigger picture.”
Oscar and Emmy-Winning Composer Kris Bowers Joins Barking Owl For Advertising, Branded Content
Music, audio post and sonic branding house Barking Owl has taken on exclusive representation of Oscar and Emmy-winning composer Kris Bowers for advertising and branded content.
Bowers’ recent film scores include The Wild Robot and Bob Marley: One Love, alongside acclaimed past works such as The Color Purple (2023), King Richard and Green Book. His contributions to television are equally impressive, with scores for hit series like Bridgerton, When They See Us, Dear White People, and his Daytime Emmy Award-winning score for The Snowy Day.
In addition to his work as a composer, Bowers is a visionary director. He recently took home the Academy Award for Best Documentary Short Subject for his directorial work on The Last Repair Shop. The emotionally touching short film spotlights four of the people responsible for repairing the musical instruments used by students in the Los Angeles Unified School District (LAUSD). The Last Repair Shop reflects the positive influence that musical instruments have on the youngsters who play them, and the adults in the LAUSD free repair service who keep them working and in tune.
Barking Owl CEO Kirkland Alexander Lynch said of Bowers, “His artistry, diversity of style and depth of storytelling bring an unparalleled edge to the work we create for global brands. His presence on our roster reflects our continued commitment to pushing the boundaries of sound and music in advertising.”
Johanna Cranitch, creative director, Barking Owl, added, “Kris first caught my attention when he released his record ‘Heroes + Misfits’ where he fused together his jazz sensibility with a deeply ingrained aptitude for melody, so beautifully.... Read More