Production company Durable Goods has signed director Neil Tardio for U.S. commercial representation. Tardio’s signature comedic storytelling for brands such as AT&T, Budweiser, Coca-Cola, ESPN, Ford, McDonald’s, Nike, Verizon and Volkswagen has earned him numerous industry accolades, including Cannes Lions, Clios, Addys, Tellys, and London Art Director Awards. His natural knack for casting and dialogue can be seen in recent work, including a spot for Kaplan University out of Arnold Boston, a comedic commercial for Bank of America featuring the Boston Red Sox out of Hill Holliday, a Domino’s campaign out of Crispin Porter + Bogusky and a Tim Hortons spot out of JWT Canada.
Tardio grew up in the midst of the advertising industry, with his father owning a powerhouse commercial production company in New York in the ‘80s. After graduating from Boston University, he began his career on the agency side, working as a producer and writer for such agencies at Saatchi & Saatchi NY and DDB Chicago. Soon after launching his directing career, he earned a 1992 Peabody Award for the “Rock the Vote” special with Madonna.
In addition to his notable commercial work, Tardio has also helmed television projects, including 32 episodes for the children’s sports program P.E. TV, which eventually aired on ESPN, and the web series Lifeisode. His music video directorial success includes high-profile artists The Red Hot Chili Peppers and Queen Latifah. Regarding film, his original screenplay, Son of Santa, was sold to United Artists, and he is casting for the upcoming feature The Wrong Man.
Tardio comes to Durable Goods from GO Film.
Robert Eggers and Willem Dafoe Reunite For “Nosferatu”
When Willem Dafoe enjoys working with a filmmaker, he'll often jump at the chance to do it again.
The list of directors with whom the 69-year-old has worked with more than once is extensive, including Wes Anderson,Yorgos Lanthimos,Paul Schrader,Lars von Trier and, now for a third time, Robert Eggers. "If it's good, you come back," Dafoe said plainly.
The pair spoke about Eggers' adaptation of "Nosferatu" that hits theaters Wednesday, some of the challenges they faced making "The Lighthouse" — their first project together released in 2019 — and the unique relationship that exists between actors and directors.
The interview has been edited for clarity and brevity.
Q: Willem, I read that you called Robert after you saw "The Witch." What did you say?
DAFOE: I want to meet you and I want to know who this filmmaker is.
Q: What is it about him that keeps bringing you back?
DAFOE: Well, if it's good, you come back. When I saw "The Witch," I thought, "Wow, this is a film about a period that I'm not particularly knowledgeable about, but I enter it so easily. This is relevant. It's rooted. It's my story. I'm with these people."
That's quite an incredible trick because a lot of period films, they're always pointing to themselves. They're always sending messages. They're always showing. This had a kind of energy and the kind of physicality and sensuality that I thought, "Who does this? I gotta see this guy." And then I had a wonderful experience in "The Lighthouse" and I played a part that was really fun in "The Northman." So, when he wants to do this passion project and offers me this beautiful role of Professor Von Franz, I say,... Read More