Australian filmmaker Max Barden has joined The Sweetshop in the U.S., expanding his reach with the company which continues to handle him in Australia and New Zealand. This marks his first representation in the American ad market. Sweetshop reps him in the U.S. and Down Under for commercials, branded content and music videos. He is also repped by production house Czar Amsterdam.
Barden’s film industry journey has been fueled by a lifelong passion for comedy filmmaking, a dream he’s nurtured since childhood. Early in his career, he engaged in a purposeful exploration of varied comedic styles, including a pivotal mentorship with director Bart Timmer at Czar Amsterdam. That experience, among others, played a key role in shaping Barden’s distinct comedic style. In just two years at The Sweetshop (Australia + New Zealand), he has collaborated with varied brands including Samsung and Goodman Fielder.
His work reveals an adeptness at weaving humor into almost anything. Barden’s ability to consistently deliver laughs often relies on his offbeat editing skills, expert timing, and a discerning understanding of comedic effectiveness. This is best exemplified in his recent campaign for Meadow Fresh, starring NBA player Steven Adams. Barden adds a comedic twist to the celebrity endorsement format by cleverly amplifying Adams’ charming yet unpolished acting skills, contrasting the player’s towering presence with that of a little girl.
Barden’s capacity to explore diverse comedic styles shines in the recently aired Kalo yogurt campaign, where he adeptly merges melancholic storytelling with unconventional humor. Barden also crafted a surprising ad for the bread brand Vogel, known for its strong narrative. “I had a lot of fun with that one,” he remarks. “I approached it like a short film and enjoyed building the tension and sense of claustrophobia.”
Barden’s body of work also includes TikTok videos. Again, using effective yet simple methods, as for his ingenious revival of fake celebrity interviews, Barden proves that true talent lies not in the complexity of the technique but in the creative execution. His work demonstrates a deep understanding of audience engagement and modern media, highlighting his ability to connect with viewers in a uniquely humorous and authentic way.
“Ever since I was a child and my mum asked what I wanted to do, I would say the same thing: ‘I want to direct commercials for The Sweetshop US,” Max says with his typical wit. “I look forward to crafting memorable work for the American market and aspire to not only think outside the box but to make everyone wonder whether there ever was a need for the box in the first place.”
The Sweetshop US managing director George Meeker describes the director’s films as “a unique blend of conceptual comedy storytelling.” Meeker added, “Max has a talent for replacing good ideas with great ones while preserving the integrity of the stories. Simply put, you can expect the unexpected.”
Review: Writer-Director Coralie Fargeat’s “The Substance”
In its first two hours, "The Substance" is a well-made, entertaining movie. Writer-director Coralie Fargeat treats audiences to a heavy dose of biting social commentary on ageism and sexism in Hollywood, with a spoonful of sugar- and sparkle-doused body horror.
But the film's deliciously unhinged, blood-soaked and inevitably polarizing third act is what makes it unforgettable.
What begins as a dread-inducing but still relatively palatable sci-fi flick spirals deeper into absurdism and violence, eventually erupting — quite literally — into a full-blown monster movie. Let the viewer decide who the monster is.
Fargeat — who won best screenplay at this year's Cannes Film Festival — has been vocal about her reverence for "The Fly" director David Cronenberg, and fans of the godfather of body horror will see his unmistakable influence. But "The Substance" is also wholly unique and benefits from Fargeat's perspective, which, according to the French filmmaker, has involved extensive grappling with her own relationship to her body and society's scrutiny.
"The Substance" tells the story of Elisabeth Sparkle, a famed aerobics instructor with a televised show, played by a powerfully vulnerable Demi Moore. Sparkle is fired on her 50th birthday by a ruthless executive — a perfectly cast Dennis Quaid, who nails sleazy and gross.
Feeling rejected by a town that once loved her and despairing over her bygone star power, Sparkle learns from a handsome young nurse about a black-market drug that promises to create a "younger, more beautiful, more perfect" version of its user. Though she initially tosses the phone number in the trash, she soon fishes it out in a desperate panic and places an order.
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